Catholic moral theology is a major category of doctrine in the Catholic Church, equivalent to a religious ethics. Moral theology encompasses Catholic social teaching, Catholic medical ethics, sexual ethics, and various doctrines on individual moral virtue and moral theory. It can be distinguished as dealing with "how one is to act", in contrast to dogmatic theology which proposes "what one is to believe".
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In this Dossier
Catholic moral theology in the context of Ninety-five Theses
The Ninety-five Theses or Disputation on the Power and Efficacy of Indulgences is a list of propositions for an academic disputation written in 1517 by Martin Luther, then a professor of moral theology at the University of Wittenberg, Germany. The Theses are retrospectively considered to have launched the Protestant Reformation and the birth of Protestantism, despite various quasi- or proto-Protestant groups having existed previously.
The Theses are framed as propositions to be argued in an academic debate rather than necessarily representing Luther's opinions. They aired contemporary theological misgivings about the theory and practice of indulgences and their relation to repentance, penance and papal authority: this was triggered by the scandal of certain Catholic clergy, who were supposedly selling plenary indulgences in Germany, which were certificates supposed to reduce the temporal punishment in purgatory for sins committed by the saved purchasers or their loved ones.
Catholic moral theology in the context of Orcagna
Andrea di Cione di Arcangelo (c. 1308 – 25 August 1368), better known as Orcagna, was an Italian painter, sculptor, and architect active in Florence. He worked as a consultant at the Florence Cathedral and supervised the construction of the façade at the Orvieto Cathedral. His monumental marble tabernacle (1352–1359), commissioned by the confraternity of Orsanmichele to protect the Maestà by Bernardo Daddi (1347) at Orsanmichele, was immediately praised. The tabernacle, executed according to his design with the assistance of a team of selected sculptors and masons, included 117 figural sculptures or reliefs as part of a domed structure.
His Strozzi Altarpiece (1354–1357) is noted as defining a new role for Christ as a source of Catholic doctrine and papal authority, as central figure enthroned actively handing out the (Dominican, or generally the Mendicant theology to Thomas Aquinas, and the keys of the church to St. Peter.