Cathedral of Monza in the context of "Diocese of Milan"

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⭐ Core Definition: Cathedral of Monza

The Duomo of Monza (Italian: Duomo di Monza), often known in English as Monza Cathedral, is the main religious building of Monza, Italy. Unlike most duomi, it is not in fact a cathedral, as Monza has always been part of the Diocese of Milan, but is in the charge of an archpriest who has the right to certain episcopal vestments including the mitre and the ring. The church is also known as the Basilica of San Giovanni Battista from its dedication to John the Baptist.

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Cathedral of Monza in the context of List of kings of the Lombards

The kings of the Lombards or reges Langobardorum (singular rex Langobardorum) were the monarchs of the Lombard people from the early 6th century until the Lombardic identity became lost in the 9th and 10th centuries. After 774, the kings were not Lombards, but Franks. From the 12th century, the votive crown and reliquary known as the Iron Crown (Corona Ferrea) retrospectively became a symbol of their rule, though it was never used by Lombard kings.

The primary sources for the Lombard kings before the Frankish conquest are the anonymous 7th-century Origo Gentis Langobardorum and the 8th-century Historia Langobardorum of Paul the Deacon. The earliest kings (the pre-Lethings) listed in the Origo are almost certainly legendary. They purportedly reigned during the Migration Period. The first ruler attested independently of Lombard tradition is Tato.

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Cathedral of Monza in the context of Zavattari

The Zavattari were a family of Italian painters active in Lombardy from the 14th to the 16th century.

Cristoforo and Franceschino Zavattari are known as collaborators to the decoration of the Duomo of Milan in the early 15th century. The family's masterwork are the frescoes in the Theodelinda Chapel in the Cathedral of Monza, work by Ambrogio and Gregorio Zavattari (1444). Unusually in fresco, the gold sky is patterned in relief pastiglia plasterwork. Some attribute this work to Troso da Monza.Subsequently, Franceschino and his sons worked at the Certosa di Pavia, where they conserve a fresco depicting the Madonna, and the church of San Lanfranco in Pavia.

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