Carving in the context of Picture

Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.

Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which has been lost.

An image or picture is a visual representation. An image can be two-dimensional, such as a drawing, painting, or photograph, or three-dimensional, such as a carving or sculpture. Images may be displayed through other media, including a projection on a surface, activation of electronic signals, or digital displays; they can also be reproduced through mechanical means, such as photography, printmaking, or photocopying. Images can also be animated through digital or physical processes.

In the context of signal processing, an image is a distributed amplitude of color(s). In optics, the term image (or optical image) refers specifically to the reproduction of an object formed by light waves coming from the object.

Stoneware is a broad class of pottery fired at a relatively high temperature, to be impervious to water. A modern definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. This definition excludes stone vessels that are carved from a solid chunk of stone. End applications of stoneware include tableware and decorative ware such as vases.

Stoneware is fired at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F). Historically, reaching such temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time.

A Jain temple, Derasar (Gujarati: દેરાસર) or Basadi (Kannada: ಬಸದಿ), is the place of worship for Jains, the followers of Jainism. Jain architecture is essentially restricted to temples and monasteries, and Jain buildings generally reflect the prevailing style of the place and time they were built.

Jain temple architecture is generally close to Hindu temple architecture, and in ancient times Buddhist architecture. Normally the same builders and carvers worked for all religions, and regional and periodic styles are generally similar. For over 1,000 years, the basic layout of a Hindu or most Jain temples has consisted of a small garbhagriha or sanctuary for the main murti or idol, over which the high superstructure rises, then one or more larger mandapa halls.

A stone vessel is a hollow container made of stone. The scope of such vessels usually excludes pottery fired from clay (stoneware) and instead concentrates on those carved from a solid chunk of natural stone.

Stone mortars and pestles have been used by the Kebaran culture (the Levant with Sinai) from 22000 to 18000 BC to crush grains and other plant material. The Kebaran mortars that have been found are sculpted, slightly conical bowls of porous stone.

Prehistoric music (previously called primitive music) is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas. However, it is more common to refer to the "prehistoric" music which still survives as folk, indigenous or traditional music. Prehistoric music is studied alongside other periods within music archaeology.

Findings from Paleolithic archaeology sites suggest that prehistoric people used carving and piercing tools to create instruments. Archeologists have found Paleolithic flutes carved from bones in which lateral holes have been pierced. The disputed Divje Babe flute, a perforated cave bear femur, is at least 40,000 years old. Instruments such as the seven-holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley civilization archaeological sites.

Mehrangarh is a historic fort located in Jodhpur, Rajasthan, India. It stands on a hilltop, rising about 122 m (400 ft) above the surrounding plains, and the complex spans 1,200 acres (486 hectares). It was initially built around 1459 by the Rajput ruler of Rathore clan Rao Jodha, though most of the existing structure is from the 17th century built by his successors. The fort has seven gates, which includes main entrance Jai Pol (meaning 'victory gate'), built by Maharaja Man Singh to commemorate his victories over the Jaipur and Bikaner armies in 1806. The Fattehpol (lit. 'victory gate'), commemorates victory of Maharaja Ajit Singh over the Mughals. The English writer and Nobel Prize winner, Rudyard Kipling, described the fort as "a palace that might have been built by Titans and colored by the morning sun."

Within its boundaries are several palaces known for their intricate carvings and expansive courtyards, a Chamunda Mataji Temple, as well as a museum that houses various relics. A winding road leads to and from the city below. The imprints of the impact of cannonballs fired by attacking armies of Jaipur can still be seen on the second gate. At the north-east of the fort is the chhatri of Kirat Singh Sodha, a soldier who fell on the spot defending Mehrangarh.

A chisel is a hand tool with a characteristic wedge-shaped cutting edge on the end of its blade. A chisel is useful for carving or cutting a hard material such as wood, stone, or metal.

Using a chisel involves forcing the blade into some material to cut it. The driving force may be applied by pushing by hand, or by using a mallet or hammer. In industrial use, a hydraulic ram or falling weight ('trip hammer') may be used to drive a chisel into the material.

The Buddhas of Bamiyan (Pashto: د باميانو بودايي پژۍ, Dari: تندیس‌های بودا در بامیان) were two monumental Buddhist Reliefs in the Bamiyan Valley of Afghanistan, carved possibly around the 6th-century. Located 130 kilometres (81 mi) to the northwest of Kabul, at an elevation of 2,500 metres (8,200 ft), carbon dating of the structural components of the Buddhas has determined that the smaller 38 m (125 ft) "Eastern Buddha" was built around 570 CE, and the larger 55 m (180 ft) "Western Buddha" was built around 618 CE, which would date both to the time when the Hephthalites ruled the region.

In March 2001, both structures were destroyed by the Taliban following an order given on February 26, 2001, by Taliban leader Mullah Muhammad Omar, to destroy all the statues in Afghanistan "so that no one can worship or respect them in the future". International and local opinion condemned the destruction of the Buddhas.

Chinese characters, also known as Han characters, Chinese script or Hanzi, are logographs used to write the Chinese languages and other Far Eastern languages from regions historically influenced by Chinese culture such as Japanese, Korean and (pre-colonial) Vietnamese. Unlike letters in the alphabets of most languages, which only transcribe the phonetics (phonemes) of speech (i.e. are phonegraphs), Chinese characters generally represent morphemes, the basic units of meaning in a language, thus making them the linguistic equivalent of words rather than letters, while the majority of "words" in the Chinese lexicon are in fact compounds and phrasemes (short phrases). The pronunciation of Chinese characters is transcribed phonetically via separate (usually romanized) transliteration systems such as the Pinyin, Zhuyin, Jyutping, Wade–Giles or Yale system.

At the most basic level, Chinese characters are composed of strokes (the actual linguistic equivalent of letters), which are written in a fixed stroke order for each character. The strokes are then organized into radicals, which are the fundamental root components that represent either a semantic feature or a homophone (often based on the Middle Chinese pronunciations) of the character. Historically, methods of writing characters have included carving inscriptions on stone, animal bones (usually turtle shells) or bronze; drawing ink onto bamboo slips, fabric (typically silk) or paper; and printing with woodblocks or moveable type. Technologies invented since the 19th century to facilitate the use of characters include telegraph codes and typewriters, as well as input methods and text encodings on computers.