Carmen Saeculare in the context of Sapphic stanza

In Sabine and ancient Roman religion and myth, Luna (Latin: Lūna [ˈluːna]) is the divine embodiment of the Moon. She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess (diva triformis), along with Diana and either Proserpina or Hecate. Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.

In Roman art, Luna attributes are the crescent moon plus the two-yoke chariot (biga). In the Carmen Saeculare, performed in 17 BC, Horace invokes her as the "two-horned queen of the stars" (siderum regina bicornis), bidding her to listen to the girls singing as Apollo listens to the boys.

The music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.

Etruscan music had an early influence on that of the Romans. During the Imperial period, Romans carried their music to the provinces, while traditions of Asia Minor, North Africa, and Gaul became a part of Roman culture.