Carle Vernet in the context of "Napoleonic looting of art"

⭐ In the context of Napoleonic looting of art, what fate befell items like the Jewel of Vicenza and the Bucentaur?

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⭐ Core Definition: Carle Vernet

Antoine Charles Horace Vernet (French pronunciation: [kaʁl vɛʁnɛ]; 14 August 1758 – 27 November 1836), better known as Carle Vernet, was a French painter, the youngest child of painter Claude-Joseph Vernet and the father of painter Horace Vernet.

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👉 Carle Vernet in the context of Napoleonic looting of art

Napoleonic looting of art (French: Spoliations napoléoniennes) consisted of the confiscation of artworks and precious objects carried out by French troops and officials in the conquered territories of the French Republic and Empire, including the Italian Peninsula, Spain, Portugal, the Low Countries, and Central Europe. The looting began around 1794 and continued through Napoleon I's rule of France, until the Congress of Vienna in 1815 ordered the restitution of the works.

During the Napoleonic era, an unknown but immense quantity of art was acquired, destroyed, or lost through treaties, public auctions, and unsanctioned seizures. Coins and objects made of precious metals, such as the Jewel of Vicenza and the bucentaur, the Venetian state barge, were melted down for easier sale and transport, to finance French military wages. In the confusion, many artworks and manuscripts were lost in transit or broken into pieces, which were often never reunited, as occurred with the marble columns of the Aachen Cathedral.

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Carle Vernet in the context of Jean Duplessis-Bertaux

Jean Duplessis-Bertaux (1747–1819) was a French painter, draughtsman and producer of etchings and burin engravings. He signed himself Duplessi-Bertaux., Jean Duplessi-Bertaux, Duplessis-Bertaux or JD Bertaux. Some of his prints are attributed to Duplessis Berthault – however, this probably refers to Duplessis and his engraver (Pierre-Gabriel) Berthault. Prints at that time always bore the names of both the draughtsman and the engraver but in these cases two names were probably mistranscribed as one by a past cataloguer.

He produced prints of Scènes de la Révolution (he had taken part in the French Revolution himself), the Cris de Paris (Street Cries of Paris) and the Campagnes de Napoléon (illustrating Bonaparte's Italian campaigns, after paintings by Carle Vernet). He also collaborated on some prints with Jean-Louis Delignon, who sometimes completed unfinished work by Duplessis-Bertraux, and also produced a number of pornographic prints (sometimes unsigned and only later re-attributed to him).

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Carle Vernet in the context of Claude-Joseph Vernet

Claude-Joseph Vernet (French pronunciation: [klod ʒozɛf vɛʁnɛ]; 14 August 1714 – 3 December 1789) was a French painter. His son Carle Vernet and daughter Marguerite Émilie Chalgrin were also painters.

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