Canosa di Puglia in the context of Bohemund I of Antioch


Canosa di Puglia in the context of Bohemund I of Antioch

⭐ Core Definition: Canosa di Puglia

Canosa di Puglia, generally known simply as Canosa (Canosino: Canaus), is a town and comune in the province of Barletta-Andria-Trani, Apulia, southern Italy. It is located between Bari and Foggia, on the northwestern edge of the plateau of the Murgia which dominates the Ofanto valley and the extensive plains of Tavoliere delle Puglie, ranging from Mount Vulture at the Gargano, to the Adriatic coast. Canosa, the Roman Canusium, is considered the principal archaeological center of Apulia, and is one of the oldest continually inhabited cities in Italy. A number of vases and other archaeological finds are located in local museums and private collections. It is not far from the position on the Ofanto River where the Romans found refuge after the defeat of the Battle of Cannae and is the burial place of Bohemund I of Antioch.

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Canosa di Puglia in the context of Province of Apulia and Calabria

Apulia and Calabria (Latin: Apulia et Calabria) was a Late Roman province in the ancient southern Italian territories of Apulia and Calabria – both roughly included in the modern Apulia region, with Calabria being the Roman term for Salento (distinct from Bruttium, which corresponds to modern Calabria). Its capital was Canusium (modern Canosa di Puglia).

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Canosa di Puglia in the context of Varrese Painter

The Varrese Painter was an Apulian red-figure vase painter. His works are dated to the middle of the 4th century BC.

His conventional name is derived from the Varrese hypogeum (a rock-cut grave complex) at Canosa di Puglia, which contained several vases painted by him. In total, over 200 known vases are attributed to him. Scholars consider him one of the most important representatives of his period. His influence extended beyond his immediate surroundings and beyond his own phase of activity, as far as the immediate predecessors of the Darius Painter. A quarter of the vases attributed to him, including hydriai, nestorids, loutrophoroi and a large oenochoe are of considerable size. The rest if his work is mainly on bell kraters and pelikes. Although he belongs to the tradition of the Ornate Style, his smaller vessels are often stylistically close to the Plain Style.

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Canosa di Puglia in the context of European route E55

European route E55 is an E-route. It starts in southern Sweden, crosses the Øresund strait to Denmark, and passes through more water (the western Baltic Sea) to reach continental Europe on Rostock, Germany. Thence it continues further southward on land through Germany and into the Czech Republic, Austria, and Italy. Finally, it passes through the Ionian Sea to serve western Greece.

The route passes through the following cities in order:Helsingborg ... HelsingørCopenhagenKøgeVordingborgNykøbing FalsterGedser ... RostockBerlinLübbenauDresdenÚstí nad LabemPragueTáborLinzSalzburgVillachTarvisioUdinePalmanovaVeniceRavennaCesenaRiminiFanoAnconaPescaraCanosa di PugliaBariBrindisi ... IgoumenitsaPrevezaRioPatrasPyrgosKalamata.

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Canosa di Puglia in the context of Baltimore Painter

The Baltimore Painter was an Apulian vase painter whose works date to the final quarter of the 4th century BC. He is considered the most important Late Apulian vase painter, and the last Apulian painter of importance. His conventional name is derived from a vase kept at the Walters Art Museum in Baltimore.

The Baltimore Painter's early work was strongly influenced by the Patera Painter. He mainly painted large format volute kraters, amphorae, loutrophoroi and hydriai. It is likely that his workshop was at Canosa.

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