Canaletto in the context of "Armoury"

Play Trivia Questions online!

or

Skip to study material about Canaletto in the context of "Armoury"




⭐ Core Definition: Canaletto

Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (Italian: [kanaˈletto]), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of cityscapes or vedute, of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.

↓ Menu

In this Dossier

Canaletto in the context of Roman civilisation

The history of Rome includes the history of the city of Rome as well as the civilisation of ancient Rome. Roman history has been influential on the modern world, especially in the history of the Catholic Church, and Roman law has influenced many modern legal systems. Roman history can be divided into the following periods:

↑ Return to Menu

Canaletto in the context of Arsenal

An arsenal is a place where arms and ammunition are made, maintained and repaired, stored, or issued, in any combination, whether privately or publicly owned. Arsenal and armoury (British English) or armory (American English) are mostly regarded as synonyms, although subtle differences in usage exist.

A sub-armory is a place of temporary storage or carrying of weapons and ammunition, such as any temporary post or patrol vehicle that is only operational in certain times of the day.

↑ Return to Menu

Canaletto in the context of Bucentaur

The bucentaur (/bjuːˈsɛntɔːr/ bew-SEN-tor; bucintoro in Italian and Venetian) was the ceremonial barge of the doges of Venice. It was used every year on Ascension Day (Festa della Sensa) up to 1798 to take the doge out to the Adriatic Sea to perform the "Marriage of the Sea" – a ceremony that symbolically wedded Venice to the sea.

Scholars believe there were four major barges, the first significant bucentaur having been built in 1311. The last and most magnificent of the historic bucentaurs made its maiden voyage in 1729 in the reign of Doge Alvise III Sebastiano Mocenigo. Depicted in paintings by Canaletto and Francesco Guardi, the ship was 35 m (115 ft) long and more than 8 metres (26 ft) high. A two-deck floating palace, its main salon had a seating capacity of 90. The doge's throne was in the stern, and the prow bore a figurehead representing Justice with sword and scales. The barge was propelled by 168 oarsmen, and another 40 sailors were required to man it.

↑ Return to Menu

Canaletto in the context of Giovanni Battista Tiepolo

Giovanni Battista Tiepolo (/tiˈɛpəl/ tee-EP-ə-loh, Italian: [dʒoˈvanni batˈtista ˈtjɛːpolo, ˈtjeː-]; 5 March 1696 – 27 March 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.

Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period.

↑ Return to Menu