Caesar and Cleopatra (play) in the context of "Holinshed's Chronicles"

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โญ Core Definition: Caesar and Cleopatra (play)

Caesar and Cleopatra (Shavian: ยท๐‘•๐‘ฐ๐‘Ÿ๐‘ฉ๐‘ฎ ๐‘จ๐‘ฏ๐‘› ยท๐‘’๐‘ค๐‘ฐ๐‘ฉ๐‘ซ๐‘๐‘จ๐‘‘๐‘ฎ๐‘ฉ) is a play written in 1898 by George Bernard Shaw that depicts a fictionalised account of the relationship between Julius Caesar and Cleopatra. It was first published with Captain Brassbound's Conversion and The Devil's Disciple in Shaw's 1901 collection Three Plays for Puritans. Shaw based his plot on Theodor Mommsen's The History of Rome, which presents an admiring depiction of Caesar as a strong leader and great man, contrasting his piece with Shakespeare's Antony and Cleopatra, which was based on histories by Plutarch and Holinshed. Shaw focused on the background of Roman interference in the affairs of Alexandria, which he saw as akin to the British imperialism of his day. He also portrayed Cleopatra as sixteen years old to downplay the sexual relationship between the title characters and focus on the political story.

The play was first performed in a single staged reading at Newcastle upon Tyne in March 1899, to secure the copyright, starring Mrs Patrick Campbell and Nutcombe Gould, though Shaw said that he had written the role of Caesar with Johnston Forbes-Robertson in mind. Campbell resisted Shaw's concept of her character and portrayed it more maturely. It was not staged again until March 1906, when it was played unsuccessfully in Berlin in a German translation, with cuts. Shaw's text was fully given a full staging in New York later in 1906 and in London in 1907, both starring Gertrude Elliott and Forbes-Robertson.

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Caesar and Cleopatra (play) in the context of George Bernard Shaw

George Bernard Shaw (26 July 1856 โ€“ 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Born in Dublin, Shaw moved to London in 1876; he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma, and Caesar and Cleopatra.

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Caesar and Cleopatra (play) in the context of Captain Brassbound's Conversion

Captain Brassbound's Conversion (1900) is a play by G. Bernard Shaw. It was published in Shaw's 1901 collection Three Plays for Puritans (with Caesar and Cleopatra, and The Devil's Disciple). The first American production of the play starred Ellen Terry in 1907. The play explores the relationship between the law, justice, revenge and forgiveness.

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Caesar and Cleopatra (play) in the context of The Devil's Disciple (play)

The Devil's Disciple is an 1897 play written by Irish dramatist George Bernard Shaw. The play is Shaw's eighth, and after Richard Mansfield's original 1897 American production it was his first financial success, which helped to affirm his career as a playwright. It was published in Shaw's 1901 collection Three Plays for Puritans together with Captain Brassbound's Conversion and Caesar and Cleopatra. Set in Colonial America during the Revolutionary era, the play tells the story of Richard Dudgeon, a local outcast and self-proclaimed "Devil's disciple". In a twist characteristic of Shaw's love of paradox, Dudgeon sacrifices himself in a Christ-like gesture despite his professed infernal allegiance.

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Caesar and Cleopatra (play) in the context of Three Plays for Puritans

Three Plays for Puritans is a collection of plays by George Bernard Shaw published in January 1901.

It consists of The Devil's Disciple (1897), Caesar and Cleopatra (1898) and Captain Brassbound's Conversion (1900), with a long preface by Shaw in three parts in which he expounds many of his thoughts on drama. In the preface, Shaw also introduced the term "bardolatry," to describe excessive admiration for Shakespeare.

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