Cab Calloway in the context of "Swing music"

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⭐ Core Definition: Cab Calloway

Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer, songwriter and bandleader. He was a regular performer at the Cotton Club in Harlem, where he became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years.

Calloway was a master of energetic scat singing and led one of the most popular dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole.

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Cab Calloway in the context of Swing (music)

Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Fletcher Henderson and Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Big band leaders of the swing era include Benny Goodman, Duke Ellington, Count Basie, Jimmie Lunceford, Cab Calloway, Benny Carter, Jimmy Dorsey, Tommy Dorsey, Earl Hines, Bunny Berigan, Harry James, Lionel Hampton, Glenn Miller, and Artie Shaw.

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Cab Calloway in the context of Swing (dance)

Swing dance is a category of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origin of each dance predating the swing era. Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston, Balboa, Lindy Hop, West Coast Swing, and Collegiate Shag. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, such as Balboa, that developed outside of these communities.

Swing dance was not commonly used to identify a group of dances until the second half of the 20th century. Historically, the word swing referred to a style of jazz music, which inspired the evolution of the dance. Jitterbug is any form of swing dance, though it is often used as a synonym for the six-count derivative of Lindy Hop called "East Coast Swing". One who danced swing was called a swing dancer. Jitterbug might refer to Lindy Hop, Shag, or other swing dances. The term was famously associated with swing era band leader Cab Calloway because, as he put it, the dancers "look like a bunch of jitterbugs out there on the floor due to their fast, often bouncy movements." The term swing dancing is often extended to include West Coast Swing, Carolina Shag, East Coast Swing, Hand Dancing, Jive, Rock and Roll, Modern Jive, and other dances developed during the 1940s and later. A strong tradition of social and competitive boogie woogie and Rock 'n' Roll in Europe add these dances to their local swing dance cultures.

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Cab Calloway in the context of Glossary of jive talk

Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" (jazz) was played and was adopted more widely in African-American society, peaking in the 1940s.

In 1938, jazz bandleader and singer Cab Calloway published the first dictionary by an African-American, Cab Calloway's Cat-ologue: A "Hepster's" Dictionary, which became the official jive language reference book of the New York Public Library. In 1939, Calloway published an accompanying book titled Professor Cab Calloway’s Swingformation Bureau, which instructed readers how to apply the words and phrases from the dictionary. He released several editions until 1944, the last being The New Cab Calloway’s Hepsters Dictionary: Language of Jive. Poet Lemn Sissay observed that "Cab Calloway was taking ownership of language for a people who, just a few generations before, had their own languages taken away."

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