C. Allan Gilbert in the context of "Death and culture"

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⭐ Core Definition: C. Allan Gilbert

Charles Allan Gilbert (September 3, 1873 – April 20, 1929), better known as C. Allan Gilbert, was an American illustrator. He is especially remembered for a widely published drawing (a memento mori or vanitas) titled All Is Vanity. The drawing employs a double image (or visual pun) in which the scene of a woman admiring herself in a mirror of her vanity table, when viewed from a distance, appears to be a human skull. The title is also a pun, as this type of dressing-table is also known as a vanity. The phrase "All is vanity" comes from Ecclesiastes 1:2 ("Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity.") It refers to the vanity and pride of humans. In art, vanity has long been represented as a woman preoccupied with her beauty. And art that contains a human skull as a focal point is called a memento mori (Latin for "remember death"), a work that reminds people of their mortality.

It is less widely known that Gilbert was an early contributor to animation, and a camouflage artist (or camoufleur) for the U.S. Shipping Board during World War I.

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👉 C. Allan Gilbert in the context of Death and culture

Death is dealt with differently in cultures around the world, and there are ethical issues relating to death, such as martyrdom, suicide and euthanasia. Death refers to the permanent termination of life-sustaining processes in an organism, i.e. when all biological systems of a human being cease to operate. Death and its spiritual ramifications are debated in every manner all over the world. Most civilizations dispose of their dead with rituals developed through spiritual traditions.

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