Bühnendeutsch in the context of "Standard German"

⭐ In the context of Standard German, Bühnendeutsch is considered…

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⭐ Core Definition: Bühnendeutsch

Bühnendeutsch (German: [ˈbyːnənˌdɔʏtʃ], 'stage German') or Bühnenaussprache (IPA: [ˈbyːnənˌʔaʊsʃpʁaːxə] , 'stage pronunciation') is a unified set of pronunciation rules for the German literary language used in the theatre of the German Sprachraum. Established in the 19th century, it came to be considered pure High German. It was codified in the pronouncing dictionary Deutsche Bühnenaussprache, edited by the German scholar Theodor Siebs, and first published in 1898.

An artificial standard not corresponding directly to any dialect, Bühnendeutsch is mostly based on Standard German as spoken in Northern Germany. For example, the suffix -ig is pronounced [ɪç].

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👉 Bühnendeutsch in the context of Standard German

Standard High German (SHG), less precisely Standard German or High German (German: Standardhochdeutsch, Standarddeutsch, Hochdeutsch or, in Switzerland, Schriftdeutsch), is the umbrella term for the standardized varieties of the German language, which are used in formal contexts and for communication between different dialect areas. German is a pluricentric Dachsprache with currently three codified (or standardised) specific national varieties: German Standard German, Austrian Standard German and Swiss Standard German.

Regarding the spelling and punctuation, a recommended standard is published by the Council for German Orthography which represents the governments of all majority and minority German-speaking countries and dependencies. Adherence is obligatory for government institutions, including schools. Although there is no official standards body regulating pronunciation, there is a long-standing de facto standard pronunciation (Bühnendeutsch), most commonly used in formal speech and teaching materials; it is similar to the formal German spoken in and around Hanover. Adherence to those standards by private individuals and companies, including the print and audio-visual media, is voluntary. Austrian German has had standard pronunciation exceptions since 1904 (Luick's österreichische Bühnenaussprache). In Switzerland, no such official pronunciation codex exists, yet most Swiss Standard German speakers are markedly different sounding from Hanover-type phonetic targets.

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Bühnendeutsch in the context of Theodor Siebs

Theodor Siebs (German pronunciation: [ˈteːodoːɐ̯ ˈziːps]; 26 August 1862 – 28 May 1941) was a German linguist most remembered today as the author of Deutsche Bühnenaussprache ('German stage pronunciation'), published in 1898. The work was largely responsible for setting the standard pronunciation of the modern German language and is referred to popularly by German speakers as der Siebs ('the Siebs').

Siebs was born in the Free City of Bremen on 26 August 1862. He studied linguistics and classical philology in Tübingen and later was a professor both at the University of Greifswald and the University of Breslau. His writings on language and languages are varied, but there is an emphasis on the history and state of Frisian languages. His Deutsche Bühnenaussprache is still relevant, though for practical purposes it has largely been supplanted by other works (see references) that employ the IPA notation (International Phonetic Alphabet), which Siebs' work did not, and which adapted to the actual pronunciation of speakers attempting a standard pronunciation.

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Bühnendeutsch in the context of Standard German phonology

The Standard German phonology is the standard pronunciation or accent of the German language. It deals with current phonology and phonetics as well as with historical developments thereof as well as the geographical variants and the influence of German dialects.

While the spelling of German is officially standardised by an international organisation (the Council for German Orthography) the pronunciation has no official standard and relies on a de facto standard documented in reference works such as Deutsches Aussprachewörterbuch (German Pronunciation Dictionary) by Eva-Maria Krech et al., Duden 6 Das Aussprachewörterbuch (Duden volume 6, The Pronunciation Dictionary) by Max Mangold and the training materials of radio and television stations such as Westdeutscher Rundfunk, Deutschlandfunk, or Schweizer Radio und Fernsehen. This standardised pronunciation was invented, rather than coming from any particular German-speaking city. But the pronunciation that Germans usually consider to be closest to the standard is that of Hanover. Standard German is sometimes referred to as Bühnendeutsch (stage German), but the latter has its own definition and is slightly different.

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