Byzantine illuminated manuscripts in the context of "Alexander Romance"

Play Trivia Questions online!

or

Skip to study material about Byzantine illuminated manuscripts in the context of "Alexander Romance"




⭐ Core Definition: Byzantine illuminated manuscripts

Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in imperial or commercial workshops. Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts. Monasteries produced many of the illuminated manuscripts devoted to religious works using the illustrations to highlight specific parts of text, a saints' martyrdom for example, while others were used for devotional purposes similar to icons. These religious manuscripts were most commissioned by patrons and were used for private worship but also gifted to churches to be used in services.

Not all Byzantine illuminated manuscripts were religious texts, secular subjects are represented in chronicles (e.g. Madrid Skylitzes), medical texts such as the Vienna Dioscurides, and some manuscripts of the Greek version of the Alexander Romance. In addition to the majority of manuscripts, in Greek, there are also manuscripts from the Syriac Church, such as the Rabbula Gospels, and Armenian illuminated manuscripts which are heavily influenced by the Byzantine tradition.

↓ Menu

In this Dossier

Byzantine illuminated manuscripts in the context of Madrid Skylitzes

The Madrid Skylitzes is a 12th-century illuminated manuscript version of the Synopsis of Histories (Greek: Σύνοψις Ἱστοριῶν) by John Skylitzes, which covers the reigns of the Byzantine emperors from the death of Nicephorus I in 811 to the deposition of Michael VI in 1057. The manuscript was produced at the Norman court of Palermo in Sicily (although there is some debate on whether the main body was made in Palermo or Constantinople) and is now housed in the Biblioteca Nacional de España in Madrid. It remains the only preserved Greek-language illustrated chronicle from the Byzantine period. The chronicle includes 574 miniatures detailing depictions of everyday life in the Byzantine Empire such as boats, literary practices, sieges, and ceremonies, in "both purely Byzantine and Western styles while also reflecting Islamic elements".

↑ Return to Menu

Byzantine illuminated manuscripts in the context of Armenian illuminated manuscripts

Armenian illuminated manuscripts (Armenian: Հայկական մանրանկարչություն, romanizedHaykakan manrankarch'owt'yown), form an Armenian tradition of formally prepared documents where the text is often supplemented with flourishes such as borders and miniature illustrations. They are related to other forms of Medieval Armenian art, Persian miniatures, and to Byzantine illuminated manuscripts. The earliest surviving examples date after the Golden Age of Armenian art and literature in the 6th century. Armenian illuminated manuscripts embody Armenian culture; they illustrate its spiritual and cultural values.

The most famous Armenian miniaturist, Toros Roslin, lived in the 13th century. The art form flourished in Greater Armenia, Lesser Armenia and the Armenian Diaspora. Its appearance dates back to the creation of the Armenian alphabet in Armenia, in the year 405 AD. Very few fragments of illuminated manuscripts from the 6th and 7th centuries have survived. The oldest fully preserved manuscript dates from the 9th century. Art experienced a golden age in the 13th and 14th centuries when the main schools and centers started to pop up (fifteen hundred centers of writing and illumination). The most striking are those of Syunik, Vaspurakan and Cilicia. Many Armenian illuminated manuscripts outside the country of Armenia have also survived the centuries. Despite the creation of the Armenian printing press in the 16th century, the production of miniatures continued until the 19th century and survives through modern Armenian painting and cinema.

↑ Return to Menu