Byzantine dress in the context of "Resist dyeing"

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⭐ Core Definition: Byzantine dress

Byzantine dress changed considerably over the thousand years of the Empire, but was essentially conservative. The Byzantines liked colour and pattern, and made and exported very richly patterned cloth, especially Byzantine silk, woven and embroidered for the upper classes, and resist-dyed and printed for the lower. A different border or trimming round the edges was very common, and many single stripes down the body or around the upper arm are seen, often denoting class or rank. Taste for the middle and upper classes followed the latest fashions at the Imperial Court.

As in the West during the Middle Ages, clothing was very expensive for the poor, who probably wore the same well-worn clothes nearly all the time; this meant in particular that any costume owned by most women needed to fit throughout the full length of a pregnancy. Even for the better-off, clothing was "used until death and then reused", and the cut was generous to allow for this.

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Byzantine dress in the context of Byzantine studies

Byzantine studies is an interdisciplinary branch of the humanities that addresses the history, culture, demography, dress, religion/theology, art, literature/epigraphy, music, science, economy, coinage and politics of the Eastern Roman Empire. The German Humanist, Hieronymus Wolf is often credited with applying the name "Byzantine" to describe the Eastern Roman Empire first, which continued after the Western Roman Empire collapsed in 476 AD. About 100 years after the final conquest of Constantinople by the Ottomans, Wolf began to collect, edit, and translate the writings of Byzantine philosophers. Other 16th-century humanists introduced Byzantine studies to Holland and Italy. The subject may also be called Byzantinology or Byzantology, although these terms are usually found in English translations of original non-English sources. A scholar of Byzantine studies is called a Byzantinist.

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Byzantine dress in the context of Himation

A himation (/hɪˈmætiɒn, -iən/ him-AT-ee-on, -⁠ən; Ancient Greek: ἱμάτιον) was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic period through the Hellenistic period (c. 750–30 BC). It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role of a cloak or shawl. When the himation was used alone, without a chiton, it served both as a chiton and as a cloak. The himation was markedly less voluminous than the Roman toga. Many vase paintings depict women wearing a himation as a veil covering their faces.

The himation continued into the Byzantine era as "iconographic dress" used in art and by the lower classes, worn by Christ, the Virgin Mary, and biblical figures.

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Byzantine dress in the context of Tiraz

Tiraz (Arabic: طراز, romanizedṭirāz; Persian: تراز, romanizedtarāz or terāz) The Persian word for a type of embroidery and clothing textiles, are medieval Islamic embroideries, usually in the form of armbands sewn onto robes of honour (khilat). They were bestowed upon high-ranking officials who showed loyalty to the Caliphate, and given as gifts to distinguished individuals. They were usually inscribed with the ruler's names, and were embroidered with threads of precious metal and decorated with complex patterns. Tiraz were a symbol of power; their production and export were strictly regulated, and were overseen by a government-appointed official.

They were likely influenced by the tablion, a decorated patch added to the body of the mantle as a badge of rank or position in late Roman and Byzantine dress.

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