Buddhist Hybrid Sanskrit in the context of "Sutra"

Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins during the Vedic period with the composition of the Rigveda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm).

Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism and the Hindu texts, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many Middle Indic (prakritic) elements not found in other forms of Sanskrit.

The Gandhāran Buddhist texts are the oldest Buddhist manuscripts yet discovered, dating from about the 1st century BCE to 3rd century CE and found in the northwestern outskirts of Pakistan. They represent the literature of Gandharan Buddhism and are written in the Gāndhārī language which has been grouped by many scholars in the Dardic language family. The texts constitute the largest collection of Gāndhārī manuscripts known to date and are now housed at the Islamabad Museum in Pakistan.

They were sold to European and Japanese institutions and individuals, and are currently being recovered and studied by several universities. The Gandhāran texts are in a considerably deteriorated form (their survival alone is extraordinary), but educated guesses about reconstruction have been possible in several cases using both modern preservation techniques and more traditional textual scholarship, comparing previously known Pāli and Buddhist Hybrid Sanskrit versions of texts. Other Gandhāran Buddhist texts—"several and perhaps many"—have been found over the last two centuries but lost or destroyed.

Sanskrit Buddhist literature refers to Buddhist texts composed either in classical Sanskrit, in a register that has been called "Buddhist Hybrid Sanskrit" (also known as "Buddhistic Sanskrit" and "Mixed Sanskrit"), or a mixture of these two. Several non-Mahāyāna Nikāyas appear to have kept their canons in Sanskrit, the most prominent being the Sarvāstivāda school. Many Mahāyāna Sūtras and śāstras also survive in Buddhistic Sanskrit or in standard Sanskrit.

During the Indian Tantric Age (8th to the 14th century), numerous Buddhist Tantras were written in Sanskrit, sometimes interspersed with local languages like Apabhramśa, and often containing notable irregularities in grammar and meter.

Buddhist texts are religious texts that belong to, or are associated with, Buddhism and its traditions. There is no single textual collection for all of Buddhism. Instead, there are three main Buddhist Canons: the Pāli Canon of the Theravāda tradition, the Chinese Buddhist Canon used in East Asian Buddhist tradition, and the Tibetan Buddhist Canon used in Indo-Tibetan Buddhism.

The earliest Buddhist texts were not committed to writing until some centuries after the death of Gautama Buddha. The oldest surviving Buddhist manuscripts are the Gandhāran Buddhist texts, found in Pakistan and written in Gāndhārī, they date from the first century BCE to the third century CE. The first Buddhist texts were initially passed on orally by Buddhist monastics, but were later written down and composed as manuscripts in various Indo-Aryan languages (such as Pāli, Gāndhārī, and Buddhist Hybrid Sanskrit). These texts were collected into various collections and translated into other languages such as Buddhist Chinese (fójiào hànyǔ 佛教漢語) and Classical Tibetan as Buddhism spread outside of India.

The Buddhāvataṃsaka-nāma-mahā­vaipulya-sūtra (The Mahāvaipulya Sūtra named "Buddhāvataṃsaka") is one of the most influential Mahāyāna sutras of East Asian Buddhism. It is often referred to in short as the Avataṃsaka Sūtra. In Classical Sanskrit, avataṃsa, vataṃsa and uttaṃsa (from stem taṃs, meaning "to decorate") all mean garland, wreath, or any circular ornament, such as an earring; suffix -ka often functions either as a diminutive or plural. Thus, the title may be rendered in English as A Garland of Buddhas, Buddha Ornaments, or Buddha's Fine Garland. In Buddhist Hybrid Sanskrit, the term avataṃsaka means "a great number," "a multitude," or "a collection." This is matched by the Tibetan title of the sutra, which is A Multitude of Buddhas (Tibetan: sangs rgyas phal po che).

Modern scholars consider the Buddhāvataṃsaka to be a compilation of numerous smaller sutras, many of which originally circulated independently and then were later brought together into the larger mature Buddhāvataṃsaka. Many of these independent Buddhāvataṃsaka sutras survive in Chinese translation.

Makkhali Gosala (Pāli; BHS: Maskarin Gośāla; Jain Prakrit sources: Gosala Mankhaliputta) or Manthaliputra Goshalak (6th or 5th century BCE) was an ascetic ajivika teacher of ancient India. He was a contemporary of Gautama Buddha, the founder of Buddhism, and of Mahavira, the last and 24th Tirthankara of Jainism.