Buddhism in Japan in the context of "Shinbutsu shūgō"

The first human inhabitants of the Japanese archipelago have been traced to the Paleolithic, around 38–39,000 years ago. The Jōmon period, named after its cord-marked pottery, was followed by the Yayoi period in the first millennium BC when new inventions were introduced from Asia. During this period, the first known written reference to Japan was recorded in the Chinese Book of Han in the first century AD.

Around the 3rd century BC, the Yayoi people from the continent immigrated to the Japanese archipelago and introduced iron technology and agricultural civilization. Because they had an agricultural civilization, the population of the Yayoi began to grow rapidly and ultimately overwhelmed the Jōmon people, natives of the Japanese archipelago who were hunter-gatherers.Between the 4th and 9th centuries, Japan's many kingdoms and tribes were gradually unified under a centralized government, nominally controlled by the Emperor of Japan. The imperial dynasty established at this time continues to this day, albeit in an almost entirely ceremonial role. In 794, a new imperial capital was established at Heian-kyō (modern Kyoto), marking the beginning of the Heian period, which lasted until 1185. The Heian period is considered a golden age of classical Japanese culture. Japanese religious life from this time and onwards was a mix of native Shinto practices and Buddhism.

Kōfuku-ji (興福寺; Japanese pronunciation: [koꜜː.ɸɯ̥.kɯ.dʑi]) is a Buddhist temple that was once one of the powerful Seven Great Temples in the city of Nara, Japan. The temple is the national headquarters of the Hossō school. It is part of Historic Monuments of Ancient Nara, a World Heritage Site.

Satori (Japanese: 悟り) is a Japanese Buddhist term for "awakening", "comprehension; understanding". The word derives from the Japanese verb satoru.

In the Zen Buddhist tradition, satori refers to a deep experience of kenshō, "seeing into one's true nature". Ken means "seeing," shō means "nature" or "essence".

Susanoo (スサノオ, Japanese pronunciation: [sɯ̥.sa.noꜜː]; historical orthography: スサノヲ, 'Susanowo'), often referred to by the honorific title Susanoo-no-Mikoto ([sɯ̥.sa.noꜜː no mʲi.ko.to]), is a kami in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs of the Gion cult that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease.

Susanoo, alongside Amaterasu and the earthly kami Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the Kojiki (c. 712 CE) and the Nihon Shoki (720 CE). One of the gazetteer reports (Fudoki) commissioned by the imperial court during the same period these texts were written, that of Izumo Province (modern Shimane Prefecture) in western Japan, also contains a number of short legends concerning Susanoo or his children, suggesting a connection between the god and this region.

Ōta Dōkan (太田 道灌; Japanese pronunciation: [oː.ta (|) doꜜː.kaɴ], 1432 - August 25, 1486), also known as Ōta Sukenaga (太田 資長), was a Japanese samurai lord, poet and Buddhist monk. He took the tonsure as a Buddhist priest in 1478, and he also adopted the Buddhist name, Dōkan, by which he is known today. Dōkan is best known as the architect and builder of Edo Castle (now the Imperial Palace) in what is today modern Tokyo; and he is considered the founder of the castle town which grew up around that Ōnin era fortress.

Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or lit. 'Chinese writing' (漢文, kanbun), a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan.

During the Heian period, Japan's original kokufū culture (lit. 'national culture') developed and literature also established its own style, with the significant usage and development of kana (仮名) to write Japanese literature.