Hagiography in the context of "Epigraphy"

Ethiopian historiography includes the ancient, medieval, early modern, and modern disciplines of recording the history of Ethiopia, including both native and foreign sources. The roots of Ethiopian historical writing can be traced back to the ancient Kingdom of Aksum (c. AD 100 – c. 940). These early texts were written in either the Ethiopian Ge'ez script or the Greek alphabet, and included a variety of mediums such as manuscripts and epigraphic inscriptions on monumental stelae and obelisks documenting contemporary events. The writing of history became an established genre in Ethiopian literature during the early Solomonic dynasty (1270–1974). In this period, written histories were usually in the form of royal biographies and dynastic chronicles, supplemented by hagiographic literature and universal histories in the form of annals. Christian mythology became a linchpin of medieval Ethiopian historiography due to works such as the Orthodox Kebra Nagast. This reinforced the genealogical traditions of Ethiopia's Solomonic dynasty rulers, which asserted that they were descendants of Solomon, the legendary King of Israel.

Ethiopian historiographic literature has been traditionally dominated by Christian theology and the chronology of the Bible. There was also considerable influence from Muslim, pagan and foreign elements from within the Horn of Africa and beyond. Diplomatic ties with Christendom were established in the Roman era under Ethiopia's first Christian king, Ezana of Axum, in the 4th century AD, and were renewed in the Late Middle Ages with embassies traveling to and from medieval Europe. Building on the legacy of ancient Greek and Roman historical writings about Ethiopia, medieval European chroniclers made attempts to describe Ethiopia, its people, and religious faith in connection to the mythical Prester John, who was viewed as a potential ally against Islamic powers. Ethiopian history and its peoples were also mentioned in works of medieval Islamic historiography and even Chinese encyclopedias, travel literature, and official histories.

The Picts were a group of peoples in what is now Scotland north of the Firth of Forth, in the Early Middle Ages. Where they lived and details of their culture can be gleaned from early medieval texts and Pictish stones. The name Picti appears in written records as an exonym from the late third century AD. They are assumed to have been descendants of the Caledonii and other northern Iron Age tribes. Their territory is referred to as "Pictland" by modern historians. Initially made up of several chiefdoms, it came to be dominated by the Pictish kingdom of Fortriu from the seventh century. During this Verturian hegemony, Picti was adopted as an endonym. This lasted around 160 years until the Pictish kingdom merged with that of Dál Riata to form the Kingdom of Alba, ruled by the House of Alpin. The concept of "Pictish kingship" continued for a few decades until it was abandoned during the reign of Caustantín mac Áeda.

Pictish society was typical of many early medieval societies in northern Europe and had parallels with neighbouring groups. Archaeology gives some impression of their culture. Medieval sources report the existence of a Pictish language, and evidence shows that it was an Insular Celtic language related to the Brittonic spoken by the Celtic Britons to the south. Pictish was gradually displaced by Middle Gaelic as part of the wider Gaelicisation from the late ninth century. Much of their history is known from outside sources, including Bede, hagiographies of saints such as that of Columba by Adomnán, and the Irish annals.

Epigraphy (from Ancient Greek ἐπιγραφή (epigraphḗ) 'inscription') is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an epigrapher or epigraphist. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primary tool of archaeology when dealing with literate cultures. The US Library of Congress classifies epigraphy as one of the auxiliary sciences of history. Epigraphy also helps identify a forgery: epigraphic evidence formed part of the discussion concerning the James Ossuary.

An epigraph (not to be confused with epigram) is any sort of text, from a single grapheme (such as marks on a pot that abbreviate the name of the merchant who shipped commodities in the pot) to a lengthy document (such as a treatise, a work of literature, or a hagiographic inscription). Epigraphy overlaps other competences such as numismatics or palaeography. When compared to books, most inscriptions are short. The media and the forms of the graphemes are diverse: engravings in stone or metal, scratches on rock, impressions in wax, embossing on cast metal, cameo or intaglio on precious stones, painting on ceramic or in fresco. Typically the material is durable, but the durability might be an accident of circumstance, such as the baking of a clay tablet in a conflagration.

Byzantine literature is the Greek literature of the Middle Ages, whether written in the Byzantine Empire or outside its borders. It was marked by a linguistic diglossy; two distinct forms of Byzantine Greek were used, a scholarly dialect based on Attic Greek, and a vernacular based on Koine Greek. Most scholars consider 'literature' to include all medieval Greek texts, but some define it with specific constraints. Byzantine literature is the successor to Ancient Greek literature and forms the basis of Modern Greek literature, although it overlaps with both periods.

The tradition saw the competing influences of Hellenism, Christianity, and earlier in the empire's history, Paganism. There was a general flourishing of gnomai, hagiography, sermons, and particularly historiography, which became less individual-focused. Poetry was often limited to musical hymnal forms, or the more niche epigram tradition, while ancient dramas and epics became obsolete. The influential romantic epic Digenes Akritas is a major exception.

Catherine of Alexandria, also spelled Katherine, was, according to tradition, a Christian saint and virgin, who was martyred in the early 4th century at the hands of the emperor Maxentius. According to her hagiography, she was both a princess and a noted scholar who became a Christian around age 14, converted hundreds of people to Christianity, and was martyred around age 18.

The Eastern Orthodox Church venerates her as a great martyr and celebrates her feast day on 24 or 25 November, depending on the regional tradition. In Catholicism, Catherine is traditionally revered as one of the Fourteen Holy Helpers, and she is commemorated in the Roman Martyrology on 25 November. Her feast was removed from the General Roman Calendar in 1969 but restored in 2002 as an optional memorial. In the Episcopal Church, St. Catherine is commemorated on 24 November, together with the martyrs Barbara of Nicomedia and Margaret of Antioch, while in the Church of England her feast day is 25 November.

Marinus (/məˈriːnəs/; Italian: San Marino) is a Christian saint, who according to hagiographical accounts recorded centuries after his lifetime was the founder of a chapel and monastery in 301 from whose initial community the state of San Marino later grew.

Saint Jerome in His Study (German: Der heilige Hieronymus im Gehäus) is a copper engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the Golden Legend (c. 1260), which contained fanciful hagiographies of saints.

St. Jerome in His Study is often considered as part of a group of three Dürer engravings (his Meisterstiche), the other two being the well-known Melencolia I (1514) and Knight, Death and the Devil (1513). Together they have been viewed as representing the three spheres of activity recognized in medieval times: Knight, Death, and the Devil belongs to the moral sphere and the "active life"; Melencolia I represents the intellectual; and St. Jerome the theological and contemplative life.

Saint Brigid of Kildare or Saint Brigid of Ireland (Irish: Naomh Bríd; Classical Irish: Brighid; Latin: Brigida; c. 451 – c. 525) is the patroness saint (or 'mother saint') of Ireland, and one of its three national saints along with Patrick and Columba. According to medieval Irish hagiographies, she was an abbess who founded the important abbey of Kildare (Cill Dara), as well as several other convents of nuns. There are few documented historical facts about her, and her hagiographies are mainly anecdotes and miracle tales, some of which are rooted in pagan folklore. They say Brigid was the daughter of an Irish clan chief and an enslaved Christian woman, and was fostered in a druid's household before becoming a consecrated virgin. She is patroness of many things, including poetry, learning, healing, protection, blacksmithing, livestock, and dairy production. In her honour, a perpetual fire was kept burning at Kildare for centuries.

Some historians suggest that Brigid is a Christianisation of the Celtic goddess Brigid. The saint's feast day is 1 February, and traditionally it involves weaving Brigid's crosses and many other folk customs. It was originally a pre-Christian festival called Imbolc, marking the beginning of spring. Since 2023, it has been a public holiday in the Republic of Ireland. This feast day is shared by Dar Lugdach, who tradition says was her student, close companion, and successor.