Bruno Lúcio de Carvalho Tolentino (November 12, 1940 – June 27, 2007) was a Brazilian poet and intellectual, known for his opposition towards the more blatant avant-garde elements of Brazilian modernism, his advocacy of classical forms and subjects in poetry, his loathing of popular culture and concrete poetry, and by his being hailed as one of the most important and influential intellectuals of his generation. His work was awarded the Prêmio Jabuti three times, in 1994, 2000 and 2007.
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Bruno Tolentino in the context of Paolo Uccello
Paolo Uccello (/uːˈtʃɛloʊ/ oo-CHEL-oh, Italian: [ˈpaːolo utˈtʃɛllo]; 1397 – 10 December 1475), born Paolo di Dono, was an Italian Renaissance painter and mathematician from Florence who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. Uccello used perspective to create a feeling of depth in his paintings. His best known works are the three paintings representing the battle of San Romano, which were wrongly entitled the Battle of Sant'Egidio of 1416 for a long period of time.
Paolo worked in the Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers. He has had some influence on twentieth-century art and literary criticism (e.g., in the Vies imaginaires by Marcel Schwob, Uccello le poil by Antonin Artaud and O Mundo Como Ideia by Bruno Tolentino).