Bronze statue in the context of "Chinese ritual bronze"

The Jockey of Artemision is a large Hellenistic bronze statue of a young boy riding a horse, dated to around 150–140 BC. It is a rare surviving original bronze statue from Ancient Greece and a rare example in Greek sculpture of a racehorse. Most ancient bronzes were melted down for their raw materials sometime after creation, but this one was saved from destruction when it was lost in a shipwreck in antiquity, before being discovered in 1926. It may have been dedicated to the gods by a wealthy person to honour victories in horse races, probably in the single-horse race (Greek: κέλης - kēles). The artist is unknown.

David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello, probably made in the 1440s, and now in the Bargello, Florence. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance, and the first freestanding nude male sculpture made since antiquity. It depicts David with an enigmatic smile, posed with his foot on Goliath's severed head just after defeating the giant. The youth is completely naked, apart from a laurel-topped hat and boots, and holds Goliath's sword.

The creation of the work is undocumented. Most scholars assume the statue was commissioned by Cosimo de' Medici, but the date of its creation is unknown and widely disputed; suggested dates vary from the 1420s to the 1460s (Donatello died in 1466), with the majority opinion recently falling in the 1440s, when the new Medici Palace (now called the Palazzo Medici Riccardi) designed by Michelozzo was under construction.