British folk music in the context of "New wave music"

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⭐ Core Definition: British folk music

Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments from England, Scotland, Northern Ireland, and Wales. Each of the four countries of the United Kingdom has its own diverse and distinctive folk music forms, which flourished until the era of industrialisation when they began to be replaced by new forms of popular music, including music hall and brass bands. Many British musicians have influenced modern music on a global scale, and the UK has one of the world's largest music industries. English, Scottish, Irish, and Welsh folk music as well as other British styles of music heavily influenced American music such as American folk music, American march music, old-time, ragtime, blues, country, and bluegrass. The UK has birthed many popular music genres such as beat music, psychedelic music, progressive rock/pop, heavy metal, new wave, industrial music, and drum 'n' bass.

In the 20th century, influences from the music of the United States, including blues, jazz, and rock and roll, were adopted in the United Kingdom. The "British Invasion"—spearheaded by Liverpool band the Beatles, often regarded as the most influential band of all time—saw British rock bands become highly influential around the world in the 1960s and 1970s. Pop music, a term which originated in Britain in the mid-1950s as a description for "rock and roll and the new youth music styles that it influenced", was developed by British artists like Black Sabbath, the Beatles and the Rolling Stones, whom among other British musicians led rock and roll's transition into rock music.

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British folk music in the context of Country music

Country music, also known as country and western or simply country, is a music genre known for its ballads and dance tunes, identifiable by both traditional lyrics and harmonies accompanied by banjos, fiddles, harmonicas, and many types of guitar; either acoustic, electric, steel, or resonator guitars. Once called hillbilly music, the term country music was popularized in the 1940s.

It originated in the Southern United States, and spread throughout the Piedmont area of United States, from Louisiana along the Appalachian Mountains to New York. The music is believed to be derived from British folk music, brought to the United States during early waves of immigration. Rooted in American folk music, such as old-time and Southern Appalachian music, many traditions blended to form country music. In particular, this included cowboy and vaquero Western music and African-American traditional folk songs and spirituals. Mexican, Irish, and Gospel music have had a formative influence on the genre, as have the Polynesian Hawaiian music and the Southwestern styles of New Mexico and Tejano, as well as gospel music, blues modes from blues music.

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British folk music in the context of Fairport Convention

Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater (with Frater replaced by Martin Lamble after their first gig). They started out influenced by American folk rock, with a set list dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, and Matthews later left during the recording of their third album.

Denny began steering the group towards traditional British music for their next two albums, What We Did on Our Holidays and Unhalfbricking (both 1969); the latter featured fiddler Dave "Swarb" Swarbrick, most notably on the song "A Sailor's Life", which laid the groundwork for British folk rock by being the first time a traditional British song was combined with a rock beat. Shortly before the album's release, a crash on the M1 motorway killed Lamble and Jeannie Franklyn, Thompson's girlfriend; this resulted in the group retiring most of their prior material and turning entirely towards British folk music for their seminal album Liege & Lief, released the same year. This style has been the band's focus ever since. For this album Swarbrick joined full-time, alongside drummer Dave Mattacks. Both Denny and Hutchings left before the year's end; the latter replaced by Dave Pegg, who has remained the group's sole consistent member to this day; Thompson left after the recording of 1970's Full House.

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