Brian Aldiss in the context of "Hugo Award"

Herbert George Wells (21 September 1866 – 13 August 1946) was an English writer, prolific in many genres. He wrote more than forty novels and dozens of short stories. His non-fiction output included works of social commentary, politics, history, popular science, satire, biography, and autobiography. Wells is most known today for his groundbreaking science fiction novels; he has sometimes been called the "father of science fiction", a title that has also been given to Jules Verne and Hugo Gernsback.

In addition to his fame as a writer, he was prominent in his lifetime as a forward-looking, even prophetic social critic who devoted his literary talents to the development of a progressive vision on a global scale. As a futurist, he wrote a number of utopian works and foresaw the advent of aircraft, tanks, space travel, nuclear weapons, satellite television and something resembling the World Wide Web. His science fiction imagined time travel, alien invasion, invisibility, and biological engineering before these subjects were common in the genre. Brian Aldiss referred to Wells as the "Shakespeare of science fiction", while Charles Fort called him a "wild talent".

The New Wave was a science fiction movement of the 1960s and 1970s, characterized by a great degree of experimentation with the form and content of stories, often influenced by the styles of non-science fiction literature, and an emphasis on the psychological and social sciences as opposed to the physical sciences. New Wave authors often considered themselves as part of the modernist tradition of fiction, and the New Wave was conceived as a deliberate change from the traditions of the science fiction characteristic of pulp magazines, which many of the writers involved considered irrelevant or unambitious.

The most prominent source of New Wave science fiction was the British magazine New Worlds, edited by Michael Moorcock, who became editor during 1964. In the United States, Judith Merril's anthologies and Harlan Ellison's 1967 anthology Dangerous Visions are often considered as the best early representations of the movement. Worldwide, Ursula K. Le Guin, Stanisław Lem, J. G. Ballard, Samuel R. Delany, Roger Zelazny, Joanna Russ, James Tiptree Jr. (a pseudonym of Alice Bradley Sheldon), Thomas M. Disch and Brian Aldiss were also major writers associated with the movement. Moorcock wanted writers to borrow from the genre's techniques but encouraged writers to develop their own styles. Apart from Moorcock and Ballard, authors included Hilary Bailey, Barrington Bayley, M. John Harrison, Pamela Zoline, Rachel Pollack and Christopher Priest.