Brass in the context of Ball point

A coppersmith, also known as a brazier, is a person who makes artifacts from copper and brass. Brass is an alloy of copper and zinc. The term "redsmith" is used for a tinsmith that uses tinsmithing tools and techniques to make copper items.

A vase (/veɪs/, /veɪz/, or /vɑːz/) is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood or plastic. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower is being held or kept in place.

Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.

Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.

The oldest known examples of this technique are approximately 6,500 years old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in present-day Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predominate.

An inkwell is a small jar or container, often made of glass, porcelain, silver, brass, or pewter, used for holding ink in a place convenient for the person who is writing. The artist or writer dips the brush, quill, or dip pen into the inkwell as needed or uses the inkwell as the source for filling the reservoir of a fountain pen. An inkwell usually has a lid to prevent contamination, evaporation, accidental spillage, and excessive exposure to air. A type known as the travelling inkwell was fitted with a secure screw lid so a traveller could carry a supply of ink in their luggage without the risk of leakage.

A ballpoint pen, also known as a biro (British English), ball pen (Bangladeshi, Hong Kong, Indian, Indonesian, Pakistani, Japanese and Philippine English), or dot pen (Nepali English and South Asian English), is a pen that dispenses ink (usually in paste form) over a metal ball at its point, i.e., over a "ball point". The metals commonly used are steel, brass, or tungsten carbide. The design was conceived and developed as a cleaner and more reliable alternative to dip pens and fountain pens, and it is now the world's most-used writing instrument; millions are manufactured and sold daily. It has influenced art and graphic design and spawned an artwork genre.

A metal leaf, also called composition leaf or schlagmetal, is a thin foil used for gilding and other forms of decoration. Metal leaves can come in many different shades, due to the composition of the metal within the metal leaf. Examples of this variation of shades in metal leaves can be found in Ancient Egyptian gold leaves, as the silver content within the gold leaves could make them appear bright yellow or paler shades of yellow. Some metal leaves may look like gold leaf but do not contain any real gold. This type of metal leaf is often referred to as imitation leaf.

Metal leaves are usually made of gold (including many alloys), silver, copper, aluminium, brass (sometimes called "Dutch metal" typically 85% copper and 15% zinc) or palladium, as well as platinum.

A pin is a device, typically pointed, used for fastening objects or fabrics together. Pins can have the following sorts of body:

• a shaft of a rigid inflexible material meant to be inserted in a slot, groove, or hole (as with pivots, hinges, and jigs)
• a shaft connected to a head and ending in a sharp tip meant to pierce one or more pieces of soft materials like cloth or paper (the straight or push pin)
• a single strip of a rigid but flexible material (e.g. a wire) whose length has been folded into parallel prongs in such fashion that the middle length of each curves towards the other so that, when anything is inserted between them, they act as a clamp (e.g. the bobby pin)
• two strips of a rigid material bound together by a spring at one end so that, when the spring held open, one can insert some material between the prongs at the other end that, the spring allowed to close, then clamp the inserted material.

According to their function, pins can be made of metals (e.g. steel, copper, or brass), wood, or plastic.

A native metal is any metal that is found pure in its metallic form in nature. Metals that can be found as native deposits singly or in alloys include antimony, arsenic, bismuth, cadmium, chromium, cobalt, indium, iron, manganese, molybdenum, nickel, niobium, rhenium, tantalum, tellurium, tin, titanium, tungsten, vanadium, and zinc, as well as the gold group (gold, copper, lead, aluminium, mercury, silver) and the platinum group (platinum, iridium, osmium, palladium, rhodium, ruthenium). Among the alloys found in native state have been brass, bronze, pewter, German silver, osmiridium, electrum, white gold, silver-mercury amalgam, and gold-mercury amalgam.

Only gold, silver, copper and the platinum group occur native in large amounts. Over geological time scales, very few metals can resist natural weathering processes like oxidation, so mainly the less reactive metals such as gold and platinum are found as native metals. The others usually occur as isolated pockets where a natural chemical process reduces a common compound or ore of the metal, leaving the pure metal behind as small flakes or inclusions.

Ancient Chinese coinage includes some of the earliest known coins. These coins, used as early as the Spring and Autumn period (770–476 BCE), took the form of imitations of the cowrie shells that were used in ceremonial exchanges. The same period also saw the introduction of the first metal coins; however, they were not initially round, instead being either knife shaped or spade shaped. Round metal coins with a round, and then later square hole in the center were first introduced around 350 BCE. The beginning of the Qin dynasty (221–206 BCE), the first dynasty to unify China, saw the introduction of a standardised coinage for the whole Empire. Subsequent dynasties produced variations on these round coins throughout the imperial period. At first the distribution of the coinage was limited to use around the capital city district, but by the beginning of the Han dynasty, coins were widely used for such things as paying taxes, salaries and fines.

Ancient Chinese coins are markedly different from their European counterparts. Chinese coins were manufactured by being cast in molds, whereas European coins were typically cut and hammered or, in later times, milled. Chinese coins were usually made from mixtures of metals such copper, tin and lead, from bronze, brass or iron: precious metals like gold and silver were uncommonly used. The ratios and purity of the coin metals varied considerably. Most Chinese coins were produced with a square hole in the middle. This was used to allow collections of coins to be threaded on a square rod so that the rough edges could be filed smooth, and then threaded on strings for ease of handling.

The sestertius (pl.: sestertii) or sesterce (pl.: sesterces) was an ancient Roman coin. During the Roman Republic it was a small silver coin issued only on rare occasions. During the Roman Empire it was a large brass coin.

The name sestertius means "two and one half". It refers to the nominal value of two and a half asses, a value useful in commerce because it was one quarter of a denarius, a coin worth ten asses. The etymology is ancient. Latin writers derive sestertius from semis "half" and tertius "third", where "third" points to the third as, since two asses and half of a third equal two and a half.

A came is a divider bar used between small pieces of glass to make a larger glazing panel.

There are two kinds of came: the H-shaped sections that hold two pieces together and the U-shaped sections that are used for the borders. Cames are mostly made of lead, zinc, copper, brass or brass-capped lead. Of the metal strips, lead is softer and more flexible, making it easier to cut and bend. The harder metals are used to work with slightly curved lines and pieces that require greater structural support. They can also be used as border came, once again for stability and support.

Tarnish is a thin layer of corrosion that forms over copper, brass, aluminum, magnesium, neodymium and other similar metals as their outermost layer undergoes a chemical reaction. Tarnish does not always result from the sole effects of oxygen in the air. For example, silver needs hydrogen sulfide to tarnish, although it may tarnish with oxygen over time. It often appears as a dull, gray or black film or coating over metal. Tarnish is a surface phenomenon that is self-limiting, unlike rust. Only the top few layers of the metal react. The layer of tarnish seals and protects the underlying layers from reacting.

Tarnish preserves the underlying metal in outdoor use, and in this form is called chemical patina, an example of which is the green or blue-green form of copper(II) carbonate known as verdigris. Unlike patina advantageous in applications such as copper roofing and copper, bronze, and brass statues and fittings exposed to the elements, a chemical patina may be considered undesirable, as on silverware, or a matter of taste or convention, as in toning on coins.

Cast coinage refers to coins made by pouring melted metal into a mold, i.e. casting. It has been used for regular coins, particularly in East Asia, but also other areas on a smaller scale (e.g. the ancient Mediterranean world). The method differs from the current mode of coin production, which is done by striking coin blanks that have been cut out of metal sheets. The method has also been used by forgers.

Traditional Far Eastern cast coins—so-called 'cash coins'—are the most famous example of cast coinage, and were issued from the 4th century BC until c. 1912, predominantly in bronze, brass or iron. Traditional Far Eastern coins were generally cast base metal coins, although silver and gold bars were also manufactured, e.g. Chinese sycee, Japanese obans and kobans, and Vietnamese lang and tien.

Copper alloys are metal alloys that have copper as their principal component. They have high resistance against corrosion. Of the large number of different types, the best known traditional types are bronze, where tin is a significant addition, and brass, using zinc instead. Both of these are imprecise terms. Latten is a further term, mostly used for coins with a very high copper content. Today the term "copper alloy" tends to be substituted for all of these, especially by museums.

Copper deposits are abundant in most parts of the world (globally 70 parts per million), and it has therefore always been a relatively cheap metal. By contrast, tin is relatively rare (2 parts per million), and in Europe and the Mediterranean region, even in prehistoric times, it had to be traded considerable distances and was expensive, sometimes virtually unobtainable. Zinc is even more common at 75 parts per million but is harder to extract from its ores. Bronze with the ideal percentage of tin was therefore expensive, and the proportion of tin was often reduced to save cost. The discovery and exploitation of the Bolivian tin belt in the 19th century made tin far cheaper, although forecasts for future supplies are less positive.

The triangle, or musical triangle, is a musical instrument in the percussion family, classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is bent into a triangular shape with one open end. The instrument is usually held by a loop of some form of thread or wire at the top curve to enable the triangle to vibrate, and it is struck with a metal rod called a "beater". The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater.

Orichalcum (or aurichalcum) /ˌɔːrɪˈkælkəm/ or orichalc /ˌɔːrɪˈkælk/ is a metal mentioned in several ancient writings, including the story of Atlantis in the Critias of Plato. Within the dialogue, Critias (460–403 BC) says that orichalcum had been considered second only to gold in value and had been found and mined in many parts of Atlantis in ancient times, but that by Critias's own time, orichalcum was known only by name.

Orichalcum may have been the name for some noble metal, such as platinum, as it was supposed to be mined, but has been identified as pure copper or certain alloys of bronze, and especially brass alloys in the case of antique Roman coins, the latter being of "similar appearance to modern brass" according to scientific research.

The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B♭ or C trumpet.

Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to the 2nd Millennium BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, appearing in orchestras, concert bands, chamber music groups, and jazz ensembles. They are also common in popular music and are generally included in school bands. Sound is produced by vibrating the lips in a mouthpiece, which starts a standing wave in the air column of the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.

Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form ornament or pictures that normally are flush with the matrix. A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings.

Perhaps the most famous example of furniture inlay is that of André-Charles Boulle (1642–1732) which is known as Boulle work and evolved in part from inlay produced in Italy during the late 15th century at the studiolo for Federico da Montefeltro in his Ducal Palace at Urbino, in which trompe-l'œil shelving seems to carry books, papers, curios and mathematical instruments, in eye-deceiving perspective. The similar private study made for him at Gubbio is now in the Metropolitan Museum of Art.