Brabantine Gothic in the context of Breda

The Town Hall (French: Hôtel de Ville, pronounced [otɛl də vil] ; Dutch: Stadhuis, pronounced [stɑtˈɦœys] ) of the City of Brussels is a landmark building and the seat of that municipality of Brussels, Belgium. It is located on the south side of the Grand-Place/Grote Markt (Brussels' main square), opposite the neo-Gothic King's House or Bread House building, housing the Brussels City Museum.

Erected between 1401 and 1455, the Town Hall is the only remaining medieval building of the Grand-Place and is considered a masterpiece of civil Gothic architecture and more particularly of Brabantine Gothic. Its three classicist rear wings date from the 18th century. Since 1998, it is also listed as a UNESCO World Heritage Site, as part of the square. This site is served by the premetro (underground tram) station Bourse - Grand-Place/Beurs - Grote Markt (on lines 4 and 10), as well as the bus stop Grand-Place/Grote Markt (on lines 33, 48 and 95).

The Cathedral of St. Michael and St. Gudula (French: Cathédrale Saints-Michel-et-Gudule; Dutch: Kathedraal van Sint-Michiel en Sint-Goedele), usually shortened to the Cathedral of St. Gudula or St. Gudula by locals, is a medieval Catholic cathedral in central Brussels, Belgium. It is dedicated to Saint Michael and Saint Gudula, the patron saints of the City of Brussels, and is a major example of Brabantine Gothic architecture.

The Romanesque church's construction began in the 11th century, replacing an earlier chapel, and was largely complete in its current Gothic form by the 16th, though its interior was frequently modified in the following centuries. The building includes late-Gothic and Baroque chapels, whilst its neo-Gothic decorative elements, including some of its stained glass windows in the aisles, date from restoration work in the 19th century. St. Gudula also stands out for its musical components, notably its two pipe organs and its immense church bells. The complex was designated a historic monument in 1936.

Saint Peter's Church (Dutch: Sint-Pieterskerk) is a Roman Catholic church in Leuven, Belgium, built in the 15th century in the Brabantine Gothic style. The church has a cruciform floor plan and a low bell tower that has never been completed. It is 93 metres (305 ft) long. It is located on the city's Grote Markt (main square), opposite the Town Hall. In 1999, the belfry and bell tower of the church was inscribed on the UNESCO World Heritage List as part of the Belfries of Belgium and France site, in recognition of the civil importance and architecture of the belfries in the region.

The Collegiate Church of St. Peter and St. Guido (French: Collégiale Saints-Pierre-et-Guidon; Dutch: Sint-Pieter-en-Sint-Guidokerk) is a Catholic collegiate church in the historical centre of Anderlecht, a municipality of Brussels, Belgium. It is dedicated to Saint Peter and Saint Guy, the patron saint of Anderlecht.

The church, in Brabantine Gothic style, was built between the 14th and 16th centuries above an earlier Romanesque crypt. Partially attributed to the Flemish architect Jan van Ruysbroeck, it is a notable illustration of late medieval architecture in Brussels. Its neo-Gothic spire dates from the 19th century. The complex was designated a historic monument in 1938.

The Grote Kerk or Onze-Lieve-Vrouwekerk (Church of Our Lady) is a Reformed Protestant church, being the most important monument and a landmark of Breda. The church is built in the Brabantine Gothic style. The tower of the church is 97 meters tall. The plan is in the shape of a Latin Cross.

Jean d'Oisy (alternatively called Jehan d'Oisy, Jan van Osy) (1310–1377) was the architect of several ecclesiastical buildings in Brabantine Gothic style. He was one of the earliest introducers of northern French Gothic style into the Low Countries and a teacher of the reputed Brabantian architect Jacob van Thienen.

D'Oisy was born in Valenciennes. Sources occasionally call him French or a Frenchman, or say that he was from Hainaut, which is currently a province in the Walloon Region of Belgium. His birthplace, now in the département Nord in France, was in the County of Hainaut and had belonged to the Holy Roman Empire, though since 1285 it had used French currency. In Jean d'Oisy's lifetime, the county formed personal unions with the County of Holland (1299–1436) and with Bavaria-Straubing (1356–1417). As from at most 26 years of age onwards, he lived in the Duchy of Brabant and for his works applied the style that became named after that area; he may be regarded as a Brabantian architect. He died in Brussels.

Jacob (or Jaak, or Jacques) van Thienen (also called van Gobertingen) was a Flemish architect of the early 15th century (his dates of birth and death are unknown). He is believed to have designed Brussels' Town Hall (French: Hôtel de Ville, Dutch: Stadhuis), around 1402. The Brabantine Gothic building, which stands in the city's Grand-Place/Grote Markt (main square), is widely regarded as a masterpiece of medieval European secular architecture. The building's distinctive tower was, however, the work of a different architect, Jan van Ruysbroeck.

Van Thienen may also have built the southern aisle of the Cathedral of St. Michael and St. Gudula in Brussels, around 1400.

Keldermans is a family of artists, originating from Mechelen (an independent city surrounded by the Duchy of Brabant). The members of the family were mostly architects working in the Brabantine Gothic style. As the most important architects of their time in the Netherlands, they defined the Brabantine Gothic style, and their works can still be seen today in cities like Mechelen, Brussels, Antwerp, Ghent, Lier, Middelburg and Gouda. Anthonis II and Rombout II were court architects for Charles V. Laurens II, last in the line, was influenced by Renaissance architecture and marked the end of the Gothic period in this region. The Keldermans family became known for the design and construction of the large tower of St Rumbold's Cathedral in Mechelen . Jan II qualifies most as the designer, the architect and the most important master builder. However, he would not see the start of the works himself and the first stone was therefore laid under the supervision of his son Andries . Other members of the Keldermans family who successively directed the works are Anthonis I, Anthonis II, Rombout II and Laurens II.