Book of Ruth in the context of King David


Book of Ruth in the context of King David

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⭐ Core Definition: Book of Ruth

The Book of Ruth (Hebrew: מְגִלַּת רוּת, Megillath Ruth, "the Scroll of Ruth", one of the Five Megillot) is included in the third division, or the Writings (Ketuvim), of the Hebrew Bible. In most Christian canons it is treated as one of the historical books and placed between Judges and 1 Samuel.

It narrates the story of Naomi and her daughter-in-law Ruth, who return to Bethlehem after the deaths of their husbands, where Ruth's loyalty to Naomi leads to her marriage to Boaz. Their son Obed becomes the grandfather of King David. They are also in the genealogy of Jesus of Nazareth.

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Book of Ruth in the context of Five Megillot

The Five Scrolls or the Five Megillot (Hebrew: חמש מגילות [χaˈmeʃ meɡiˈlot], Hamesh Megillot or Chomeish Megillos) are parts of the Ketuvim ("Writings"), the third major section of the Tanakh (Hebrew Bible). The Five Scrolls are the Song of Songs, the Book of Ruth, the Book of Lamentations, Ecclesiastes and the Book of Esther. These five relatively short biblical books are grouped together in Jewish tradition.

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Book of Ruth in the context of Book of Lamentations

The Book of Lamentations (Hebrew: אֵיכָה, ʾĒḵā, from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible, it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes, and the Book of Esther. In the Christian Old Testament, it follows the Book of Jeremiah, for the prophet Jeremiah is traditionally understood to have been its author. By the mid-19th century, German scholars doubted Jeremiah's authorship, a view that has since become the prevailing scholarly consensus. Most scholars also agree that the Book of Lamentations was composed shortly after Jerusalem's fall in 586 BCE.

Some motifs of a traditional Mesopotamian "city lament" are evident in the book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the deity; others "parallel the funeral dirge in which the bereaved bewails... and... addresses the [dead]". The tone is bleak: God does not speak, the degree of suffering is presented as overwhelming, and expectations of future redemption are minimal. Nonetheless, the author repeatedly makes clear that the city—and even the author himself—has profusely sinned against God, thus justifying God's wrath. In doing so, the author does not blame God but rather presents God as righteous, just, and sometimes even merciful.

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