Book of Giants in the context of "Watcher (angel)"

Play Trivia Questions online!

or

Skip to study material about Book of Giants in the context of "Watcher (angel)"

Ad spacer

⭐ Core Definition: Book of Giants

The Book of Giants is an apocryphal book which expands upon the Genesis narrative of the Hebrew Bible, in a similar manner to the Book of Enoch. Together with this latter work, The Book of Giants "stands as an attempt to explain how it was that wickedness had become so widespread and muscular before the flood; in so doing, it also supplies the reason why God was more than justified in sending that flood." The text's composition has been dated to before the 2nd century BC.

The Book of Giants is an antediluvian (pre-Flood) narrative that was received primarily in Manichaean literature and known at Turfan. However, the earliest known traditions for the book originate in Aramaic copies of a The Book of Giants among the Dead Sea Scrolls. References to the Giants mythology are found in: Genesis 6:1-4, the books of Enoch (Ethiopic, Slavonic, Hebrew, Greek), Jubilees, Genesis Apocryphon, 2 and 3 Baruch (Slavonic), the Damascus Document, and visions in Daniel 7:9-14. This book tells of the background and fate of these antediluvial giants and their fathers, the Watchers (called grigori in the Slavonic 2 Enoch), the sons of God or holy ones (Daniel 4:13, 17) who rebelled against heaven when—in violation of the strict "boundaries of creation"—they commingled, in their lust, with the "daughters of men."

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Book of Giants in the context of Humbaba

Humbaba (Ḫumbaba; 𒄷𒌝𒁀𒁀, Ḫumbāba, with an optional determinative 𒀭), originally known as Ḫuwawa in Sumerian (𒄷𒉿𒉿, Ḫuwāwa), was a figure in Mesopotamian mythology. The origin and meaning of his name are unknown. He was portrayed as an anthropomorphic figure comparable to an ogre or giant. He is best known from Sumerian and Akkadian narratives focused on the hero Gilgamesh, including short compositions belonging to the curriculum of scribal schools, various versions of the Epic of Gilgamesh, and several Hurrian and Hittite adaptations. He is invariably portrayed as the inhabitant or guardian of the cedar forest, to which Gilgamesh ventures with his companion Enkidu. The subsequent encounter leads to the death of Humbaba, which provokes the anger of the gods. Humbaba is also attested in other works of Mesopotamian literature. Multiple depictions of him have also been identified, including combat scenes and apotropaic clay heads.

It has been suggested that the iconography of Humbaba influenced depictions of the gorgons in Greece, in particular scenes of Perseus slaying Medusa with the help of Athena. A late derivative of Humbaba also seems to be found in both Jewish and Manichaean versions of the Book of Giants, where one of the eponymous beings is referred to as Ḥôbabiš, Ḥôbabis or Ḥōbāīš. While it is agreed the name is derived from his own, the context in which it appears shows no similarity to known myths involving him. Traces of Ḥôbabiš have also been identified in a number of later works belonging to Islamic tradition, such as religious polemics. A number of connections have also been proposed between Humbaba and figures such as Kombabos from the works of Lucian or biblical Hobab, but they are not regarded as plausible.

↑ Return to Menu