Bone carving in the context of Tools

Scrimshaw is scrollwork, engravings, and carvings done in bone or ivory. Typically it refers to the artwork created by whalers, engraved on the byproducts of whales, such as bones or cartilage. It is most commonly made out of the bones and teeth of sperm whales, the baleen of other whales, and the tusks of walruses.

It takes the form of elaborate engravings in the form of pictures and lettering on the surface of the bone or tooth, with the engraving highlighted using a pigment, or, less often, small sculptures made from the same material. However, the latter typically fall into the categories of ivory carving, for all carved teeth and tusks, or bone carving. The making of scrimshaw probably began on whaling ships in the late 18th century and survived until the ban on commercial whaling. The practice survives as a hobby and as a trade for commercial artisans. A maker of scrimshaw is known as a scrimshander. The word first appeared in the logbook of the brig By Chance in 1826, but the etymology is uncertain.

A casket is a decorative box or container that is usually smaller than a chest and is typically decorated. In recent centuries they are often used as boxes for jewelry, but in earlier periods they were also used for keeping important documents and many other purposes. Many ancient caskets are reliquaries, for both Buddhist and Christian relics.

A tall round casket is often called a pyxis, after a shape in Ancient Greek pottery; these were popular in Islamic art, often made from a section of the ivory tusk of an elephant.

The Embriachi workshop (Italian: Bottega degli Embriachi) was an important producer of objects in carved ivory and carved bone, set in a framework of inlaid wood. They operated in north Italy from around 1375 to perhaps as late as 1433, apparently moving from Florence to Venice about 1395. They are especially known for what are now called marriage caskets or wedding caskets, hexagonal or oblong caskets about a foot across, with lids that rise up in the centre. Their output of these was probably made for stock rather than individual commissions, and filled a market for gifts for betrothals and weddings. They sold mirrors framed in a similar style, though fewer of these have survived, and religious pieces both small and in a few cases very large.

The workshop takes its name from Baldassare Ubriachi or Baldassare Embriachi, variously described as a nobleman, merchant and diplomat, or an "international man of business and politics". He was presumably not a carver himself, but supplied the capital, and no doubt was involved with negotiating the larger sales to courts and nobles north of the Alps; some documentary records of this survive. His two sons eventually carried on the business, also probably never carving anything themselves.