Bohemian glass in the context of "Železný Brod"

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⭐ Core Definition: Bohemian glass

Bohemian glass (Czech: české sklo), also referred to as Bohemia crystal (český křišťál), is glass produced in the regions of Bohemia and Silesia, now parts of the Czech Republic. It has a centuries-long history of being internationally recognised for its high quality, craftsmanship, beauty and often innovative designs. Hand-cut, engraved, blown and painted decorative glassware ranging from champagne flutes to enormous chandeliers, ornaments, figurines and other glass items are among the best known Czech exports and immensely popular as tourist souvenirs. The Czech Republic is home to numerous glass studios and schools attended by local and foreign students.

The oldest archaeological excavations of glass-making sites in the region date to around 1250 and are located in the Lusatian Mountains of Northern Bohemia. Other notable Czech sites of glass-making throughout the ages are Skalice u České Lípy, Jablonec nad Nisou, Železný Brod, Poděbrady, Karlovy Vary, Kamenický Šenov and Nový Bor. Several of these towns have their own glass museums with many items dating to around 1600. Jablonec nad Nisou in particular is famous for the local tradition of manufacturing glass costume jewellery. Its long history is documented by large collections in the Museum of Glass and Jewellery in Jablonec nad Nisou.

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Bohemian glass in the context of Glass engraving

Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin. It is a subgroup of glass art, which refers to all artistic glass, much of it made by "hot" techniques such as moulding and blowing melting glass, and with other "cold" techniques such as glass etching which uses acidic, caustic, or abrasive substances to achieve artistic effects, and cut glass, which is cut with an abrasive wheel, but more deeply than in engraved glass, where the engraving normally only cuts deeply enough into the surface to leave a mark. Usually the engraved surface is left "frosted" so a difference is visible, while in cut glass the cut surface is polished to restore transparency. Some pieces may combine two or more techniques.

There are several different techniques of glass engraving. It has been practised since ancient times, including Roman glass, and professionally engraved glass has always been an expensive luxury, requiring lavish amounts of labour by a highly skilled craftsman or artist. In recent centuries the most notable periods and places of production started in the 16th century, initially mostly in Venetian glass, then later in Germany and Bohemian glass. From about 1645 it was used in the Netherlands, which was producing the finest engraving by 1700, by which time some engraving was used in most glass-making centres in Europe. The late 17th and early 18th centuries were in some ways the peak period of achievement and popularity. From 1730 onwards it received some competition from the new geometric cut glass style developed in England. These related techniques were often combined in a single piece, but the engraving tended to be relegated to less prominent positions.

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