Blue in the context of "RGB color model"

Cobalt blue is a blue pigment made by sintering cobalt(II) oxide with aluminium(III) oxide (alumina) at 1200 °C. Chemically, cobalt blue pigment is cobalt(II) oxide-aluminium oxide, or cobalt(II) aluminate, CoAl₂O₄. Cobalt blue is lighter and less intense than the (iron-cyanide based) pigment Prussian blue. It is extremely stable, and has historically been used as a coloring agent in ceramics (especially Chinese porcelain), jewelry, and paint. Transparent glasses are tinted with the silica-based cobalt pigment "smalt".

Lapis lazuli (UK: /ˌlæpɪs ˈlæz(j)ʊli, ˈlæʒʊ-, -ˌli/; US: /ˈlæz(j)əli, ˈlæʒə-, -ˌliˌ læˈzuːli/) is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. Its name originates from the Persian word for the gem, lāžward, and serves as the root for the word for "blue" in several languages, including Spanish and Portuguese azul and English azure. Lapis lazuli is a rock composed primarily of the minerals lazurite, pyrite, diopside, and calcite. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines, in Shortugai, and in other mines in Badakhshan province in modern northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley Civilisation. Lapis was highly valued by the Indus Valley Civilisation (3300–1900 BC). Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun (1341–1323 BC).

By the end of the Middle Ages, Europe began importing lapis lazuli to grind it into powder and make ultramarine pigment. Ultramarine was used by some of the most important artists of the Renaissance and Baroque, including Masaccio, Perugino, Titian and Vermeer; it was often reserved for the clothing of the central figures of their paintings, especially the Virgin Mary. Ultramarine has also been found in dental tartar of medieval nuns and scribes, perhaps as a result of licking their painting brushes while producing medieval texts and manuscripts.

In color theory, hue is one of the properties (called color appearance parameters) of a color, defined in the CIECAM02 model as "the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, orange, yellow, green, blue, violet," within certain theories of color vision.

Hue can typically be represented quantitatively by a single number, often corresponding to an angular position around a central or neutral point or axis on a color space coordinate diagram (such as a chromaticity diagram) or color wheel, or by its dominant wavelength or by that of its complementary color. The other color appearance parameters are colorfulness, saturation (also known as intensity or chroma), lightness, and brightness. Usually, colors with the same hue are distinguished with adjectives referring to their lightness or colorfulness - for example: "light blue", "pastel blue", "vivid blue", and "cobalt blue". Exceptions include brown, which is a dark orange.

The RGB color model is an additive color model in which the red, green, and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue.

The main purpose of the RGB color model is for the sensing, representation, and display of images in electronic systems, such as televisions and computers, though it has also been used in conventional photography and colored lighting. Before the electronic age, the RGB color model already had a solid theory behind it, based in human perception of colors.

Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495–570 nm. In subtractive color systems, used in painting and color printing, it is created by a combination of yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. By far the largest contributor to green in nature is chlorophyll, the chemical by which plants photosynthesize and convert sunlight into chemical energy. Many creatures have adapted to their green environments by taking on a green hue themselves as camouflage. Several minerals have a green color, including the emerald, which is colored green by its chromium content.

During post-classical and early modern Europe, green was the color commonly associated with wealth, merchants, bankers, and the gentry, while red was reserved for the nobility. For this reason, the costume of the Mona Lisa by Leonardo da Vinci and the benches in the British House of Commons are green while those in the House of Lords are red. It also has a long historical tradition as the color of Ireland and of Gaelic culture. It is the historic color of Islam, representing the lush vegetation of Paradise. It was the color of the banner of Muhammad, and is found in the flags of nearly all Islamic countries.

An astrophysical jet is an astronomical phenomenon where ionised matter is expelled at high velocity from an astronomical object, in a pair of narrow streams aligned with the object's axis of rotation. When the matter in the beam approaches the speed of light, astrophysical jets become relativistic jets as they show effects from special relativity.

Astrophysical jets are associated with many types of high-energy astronomical sources, such as black holes, neutron stars and pulsars. Their causes are not yet fully understood, but they are believed to arise from dynamic interactions within accretion disks. One explanation is that as an accretion disk spins, it generates a rotating, tangled magnetic field which concentrates material from the disk into the jets and then drives it away from the central object. Jets may also be influenced by a general relativity effect known as frame-dragging.

In astronomy, extinction is the absorption and scattering of electromagnetic radiation by dust and gas between an emitting astronomical object and the observer. Interstellar extinction was first documented as such in 1930 by Robert Julius Trumpler. However, its effects had been noted in 1847 by Friedrich Georg Wilhelm von Struve, and its effect on the colors of stars had been observed by a number of individuals who did not connect it with the general presence of galactic dust. For stars lying near the plane of the Milky Way which are within a few thousand parsecs of the Earth, extinction in the visual band of frequencies (photometric system) is roughly 1.8 magnitudes per kiloparsec.

For Earth-bound observers, extinction arises both from the interstellar medium and the Earth's atmosphere; it may also arise from circumstellar dust around an observed object. Strong extinction in Earth's atmosphere of some wavelength regions (such as X-ray, ultraviolet, and infrared) is overcome by the use of space-based observatories. Since blue light is much more strongly attenuated than red light, extinction causes objects to appear redder than expected; this phenomenon is called interstellar reddening.

Azure is the color between cyan and blue on the spectrum of visible light. It is often described as the color of the sky on a clear day.

On the RGB color wheel, "azure" (hexadecimal #0080FF) is defined as the color at 210 degrees, i.e., the hue halfway between blue and cyan. In the RGB color model, used to create all the colors on a television or computer screen, azure is created by adding a 50% of green light to a 100% of blue light.

The Tyndall effect is light scattering by particles in a colloid such as a very fine suspension (a sol). Also known as Tyndall scattering, it is similar to Rayleigh scattering, in that the intensity of the scattered light is inversely proportional to the fourth power of the wavelength, so blue light is scattered much more strongly than red light. An example in everyday life is the blue colour sometimes seen in the smoke emitted by motorcycles, in particular two-stroke machines where the burnt engine oil provides these particles. The same effect can also be observed with tobacco smoke whose fine particles also preferentially scatter blue light.

Under the Tyndall effect, the longer wavelengths are transmitted more, while the shorter wavelengths are more diffusely reflected via scattering. The Tyndall effect is seen when light-scattering particulate matter is dispersed in an otherwise light-transmitting medium, where the diameter of an individual particle is in the range of roughly 40 to 900 nm, i.e. somewhat below or near the wavelengths of visible light (400–750 nm).