Black Ships in the context of "Isolationist"

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⭐ Core Definition: Black Ships

The Black Ships (in Japanese: 黒船, romanizedkurofune, Edo period term) were the names given to both Portuguese merchant ships and American warships arriving in Japan in the 16th and 19th centuries respectively.

In 1543, Portuguese initiated the first contacts, establishing a trade route linking Goa to Nagasaki. The large carracks engaged in this trade had the hull painted black with pitch, and the term came to represent all Western vessels. In 1639, after suppressing a rebellion blamed on the influence of Christian thought, the ruling Tokugawa shogunate retreated into an isolationist policy, the Sakoku. During this "locked state", contact with Japan by Westerners was restricted to Dutch traders on Dejima island at Nagasaki.

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Black Ships in the context of Perry Expedition

The Perry Expedition (Japanese: 黒船来航, kurofune raikō, "Arrival of the Black Ships") was a diplomatic and military expedition in two separate voyages (1852–1853 and 1854–1855) to the Tokugawa shogunate (徳川幕府) by warships of the United States Navy. The goals of this expedition included exploration, surveying, and the establishment of diplomatic relations and negotiation of trade agreements with the various nations in the region. Opening contact with the government of Japan was considered a top priority of the expedition, and was one of the key reasons for its inception.

The expedition was commanded by Commodore Matthew Calbraith Perry, under orders from President Millard Fillmore. Perry's primary goal was to force an end to Japan's 220-year-old policy of isolation and to open Japanese ports to American trade, through the use of gunboat diplomacy if necessary. The Perry Expedition led directly to the establishment of diplomatic relations between Japan and the western Great Powers, and eventually to the collapse of the ruling Tokugawa shogunate and the restoration of the Emperor. Following the expedition, Japan's burgeoning trade routes with the world led to the cultural trend of Japonisme, in which aspects of Japanese culture influenced art in Europe and America.

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