Biwa in the context of "Plucked string instrument"

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⭐ Core Definition: Biwa

The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).

Typically 60 centimetres (24 in) to 106 centimetres (42 in) in length, the instrument is constructed of a water drop–shaped body with a short neck, typically with four (though sometimes five) strings.

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Biwa in the context of Pipa

The pipa (Chinese: 琵琶; pinyin: pípá; Wade–Giles: p'i-p'a) is a traditional Chinese musical instrument belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term pipa was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument.

The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer widely used.

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Biwa in the context of Barbat (lute)

The barbat (Persian: بربت) or barbud is a lute of Greater Iranian or Persian origin, and widespread across Central Asia, especially since the Sassanid Empire. Barbat is characterized as carved from a single piece of wood, including the neck and a wooden sound board. Possibly a skin-topped instrument for part of its history, it is ancestral to the wood-topped oud and biwa and the skin-topped Yemeni qanbus.

Although the original barbat disappeared, modern Iranian luthiers have invented a new instrument, inspired by the Barbat. The modern re-created instrument (Iranian Barbat) resembles the oud, although differences include a smaller body, longer neck, a slightly raised fingerboard, and a sound that is distinct from that of the oud.

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