When studying literature, biography and its relationship to literature is often a subject of literary criticism, and is treated in several different forms. Two scholarly approaches use biography or biographical approaches to the past as a tool for interpreting literature: literary biography and biographical criticism. Conversely, two genres of fiction rely heavily on the incorporation of biographical elements into their content: biographical fiction and autobiographical fiction.
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In this Dossier
- ⭐ Core Definition: Biography in literature
- Biography in literature in the context of Richard Davenport-Hines
- Biography in literature in the context of William Sharp (writer)
- Biography in literature in the context of Vies imaginaires
Biography in literature in the context of Richard Davenport-Hines
Richard Peter Treadwell Davenport-Hines (born 21 June 1953 in London) is a British historian and literary biographer, and a Quondam Fellow of All Souls College, Oxford.
View the full Wikipedia page for Richard Davenport-HinesBiography in literature in the context of William Sharp (writer)
William Sharp (12 September 1855 – 12 December 1905) was a Scottish writer, of poetry and literary biography in particular, who from 1893 wrote also as Fiona Macleod, a pseudonym kept almost secret during his lifetime. He was also an editor of the poetry of Ossian, Walter Scott, Matthew Arnold, Algernon Charles Swinburne and Eugene Lee-Hamilton.
View the full Wikipedia page for William Sharp (writer)Biography in literature in the context of Vies imaginaires
Imaginary Lives (original French title: Vies imaginaires) is a collection of twenty-two semi-biographical short stories by Marcel Schwob, first published in book form in 1896. Mixing known and fantastical elements, it was one of the first works in the genre of biographical fiction. The book is an acknowledged influence in Jorge Luis Borges's first book A Universal History of Infamy (1935). Borges also translated the last story "Burke and Hare, Assassins" into Spanish.
Most chapters had been published individually in the newspaper Le Journal between 1894 and 1895. For the collected edition he substituted "Vie de Morphiel, démiurge" with "Matoaka", which had appeared in 1893 in L'Echo de Paris and that he renamed "Pocahontas, princesse". The story "Lilith" about painter and poet Dante Gabriel Rossetti was provably the first one that he wrote in the genre of biographical fiction. It had already been collected in 1891 in the book Coeur double, and perhaps that is the reason it was not included in Imaginary Lives.
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