Biedermeier in the context of Ferdinand Georg Waldmüller


Biedermeier in the context of Ferdinand Georg Waldmüller

⭐ Core Definition: Biedermeier

The Biedermeier period was an era in the art and culture of the German Confederation between 1815 and 1848 during which the middle classes grew in number and artists began producing works appealing to their sensibilities. The period began with the end of the Napoleonic Wars in 1815 and ended with the onset of the Revolutions of 1848. The term originated in popular literature, before spreading to architecture, interior design, and visual arts.

"Biedermeier" derives from the fictional mediocre poet Gottlieb Biedermaier [sic], who featured in the Munich magazine Fliegende Blätter (Flying Leaves). It is used mostly to denote the unchallenging artistic styles that flourished in the fields of literature, music, the visual arts and interior design. As is natural in cultural creative movements, Biedermeier has influenced later styles.

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Biedermeier in the context of Federal architecture

Federal-style architecture is the classical architecture built in the United States following the American Revolution between c. 1780 and 1830, and particularly from 1785 to 1815, which was influenced heavily by the works of Andrea Palladio with several innovations on Palladian architecture by Thomas Jefferson and his contemporaries. Jefferson's Monticello estate and several federal government buildings, including the White House, are among the most prominent examples of buildings constructed in Federal style.

Federal style is also used in association with furniture design in the United States of the same time period. The style broadly corresponds to the classicism of Biedermeier style in the German-speaking lands, Regency architecture in Britain, and the French Empire style. It may also be termed Adamesque architecture. The White House and Monticello were setting stones for what Federal architecture has become.

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Biedermeier in the context of Empire style

The Empire style (French: style Empire [stil ɑ̃piʁ]) is an early–19th-century design movement in architecture, furniture, other decorative arts, and the visual arts, representing the second phase of Neoclassicism. It flourished between 1799 and 1815 during the Consulate and the First French Empire periods, although its life span lasted until the late-1820s. From France it spread into much of Europe and the United States.

The Empire style originated in and takes its name from the rule of the Emperor Napoleon I in the First French Empire, when it was intended to idealize Napoleon's leadership and the French state. The previous fashionable style in France had been the Directoire style, a more austere and minimalist form of Neoclassicism that replaced the Louis XVI style, and the new Empire style brought a full return to ostentatious richness. The style corresponds somewhat to the Biedermeier style in the German-speaking lands, Federal style in the United States, and the Regency style in Britain.

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Biedermeier in the context of Josef Danhauser

Josef Franz Danhauser (19 August 1805 in Laimgrube, currently part of Mariahilf or Neubau–4 May 1845) was a painter from the Austrian Empire. He was one of the prominent artists of Biedermeier period, along with Ferdinand Georg Waldmüller, Peter Fendi, and others. Danhauser's works, which went largely unappreciated in his time, dealt with moralising subjects and had a clear influence of William Hogarth.

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Biedermeier in the context of Count Orlok

Count Orlok (German: Graf Orlok; Romanian: Contele Orlok; Hungarian: Orlok gróf) is a fictional character who first appeared in the silent film Nosferatu (1922) directed by F. W. Murnau. Based on Bram Stoker's Count Dracula, he is played by German actor Max Schreck, and is depicted as a repulsive vampire descended from Belial, who leaves his homeland of Transylvania to spread the plague in the idyllic city of Wisborg in Biedermeier-period Germany, only to find death at the hands of a self-sacrificing woman.

Count Orlok would reappear in remakes, played by Klaus Kinski, Doug Jones and Bill Skarsgård, as well as in comic book adaptations and sequels. He is also a character in SpongeBob SquarePants, debuting in the season 2 episode "Graveyard Shift". Orlok's distinct appearance, which is closer to that of vampires of Eastern European folklore than to traditional depictions of Dracula, influenced numerous later vampire designs, including those of Salem's Lot, Buffy the Vampire Slayer and the Blade film franchise, typically in order to distance the creatures from their more conventionally humanized or charming counterparts.

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Biedermeier in the context of Regency architecture

Regency architecture encompasses classical buildings built in the United Kingdom during the Regency era in the early 19th century when George IV was Prince Regent, and also to earlier and later buildings following the same style. The period coincides with the Biedermeier style in the German-speaking lands, Federal style in the United States and the French Empire style. Regency style is also applied to interior design and decorative arts of the period, typified by elegant furniture and vertically striped wallpaper, and to styles of clothing; for men, as typified by the dandy Beau Brummell and for women the Empire silhouette.

The style is strictly the late phase of Georgian architecture, and follows closely on from the neoclassical style of the preceding years, which continued to be produced throughout the period. The Georgian period takes its name from the four Kings George of the period 1714–1830, including King George IV. The British Regency strictly lasted only from 1811 to 1820, but the term is applied to architecture more widely, both before 1811 and after 1820; the next reign, of William IV from 1830 to 1837, has not been given its own stylistic descriptor. Regency architecture is especially distinctive in its houses, and also marked by an increase in the use of a range of eclectic Revival styles, from Gothic through Greek to Indian, as alternatives to the main neoclassical stream.

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Biedermeier in the context of Carl Spitzweg

Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romantic painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.

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