Biblical Magi in the context of Frankincense

In the New Testament, Jesus is referred to as the King of the Jews, both at the beginning of his life and at the end. In the Koine Hellenic of the New Testament, e.g., in John 19:3, this is written as Basileus ton Ioudaion (βασιλεὺς τῶν Ἰουδαίων).

Both uses of the title lead to dramatic results in the New Testament accounts. In the account of the nativity of Jesus in the Gospel of Matthew, the Biblical Magi who come from the east call Jesus the "King of the Jews", implying that he was the Messiah. This caused Herod the Great to order the Massacre of the Innocents. Towards the end of the accounts of all four canonical Gospels, in the narrative of the Passion of Jesus, the title "King of the Jews" leads to charges against Jesus that result in his crucifixion.

In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/krɛʃ/ or /kreɪʃ/), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth of Jesus. While the term "nativity scene" may be used of any representation of the very common subject of the Nativity of Jesus in art, it has a more specialized sense referring to seasonal displays, in particular sets of individual sculptural figures and props that are arranged for display.

Other characters from the nativity story, such as shepherds, sheep, and angels may be displayed near the manger in a barn (or cave) intended to accommodate farm animals, as described in the Gospel of Luke. A donkey and an ox are typically depicted in the scene, and the Magi and their camels, described in the Gospel of Matthew, are also included. Many also include a representation of the Star of Bethlehem. Several cultures add other characters and objects that may or may not be Biblical.

Chalking the door is a Christian Epiphanytide tradition used to bless one's home. It is normatively in the pattern of four crosses positioned in between the traditional initials of the three wise men, which are surrounded by the first two and last two digits of the current year (e.g. 20 ✝ C ✝ M ✝ B ✝ 25). The practice of chalking the door originated in medieval Europe, though it has spread throughout worldwide Christendom.

 The Shrine of the Three Kings (German Dreikönigsschrein or Der Dreikönigenschrein), Tomb of the Three Kings, or Tomb of the Three Magi is a reliquary traditionally believed to contain the bones of the Biblical Magi, also known as the Three Kings or the Three Wise Men. This shrine is a large gilded and decorated triple sarcophagus situated above and behind the high altar of Cologne Cathedral in western Germany. Built approximately from 1180 to 1225, it is considered the high point of Mosan art by various historians and scholars, and ranks amongst the largest reliquary in the Western world.

The shrine has gone through periods of damage and restoration during the 16th century. Although the shrine has always been on display, it was not until the 19th century when the relics were unveiled to the public. The relics of the three kings were first exhibited to public display in the 12th century.

The Tiburtine Sibyl or Albunea was a Roman sibyl, whose seat was the ancient Etruscan town of Tibur (modern Tivoli).

The mythic meeting of Augustus with the Sibyl, of whom he inquired whether he should be worshiped as a god, was often depicted by artists from the late Middle Ages onwards. In the versions known to the later Middle Ages, for example the account in the Golden Legend, Augustus asked the Sibyl whether he should be worshipped as a god, as the Roman Senate had ordered. She replied by showing him a vision of a young woman with a baby boy, high in the sky, while a voice from the heavens said "This is the virgin who shall conceive the saviour of the world", who would eclipse all the Roman gods. The episode was regarded as a prefiguration of the Biblical Magi's visit to the new-born Jesus and connected Ancient and Christian Rome, implying foreknowledge of the coming of Christ by the greatest of Roman emperors.

In Italian folklore and folk customs, the Befana (Italian: [beˈfaːna]) is a witch-like old woman who delivers gifts to children throughout Italy on Epiphany Eve (the night of January 5) in a similar way to Santa Claus or the Three Magi. The Befana is a widespread tradition among Italians and thus has many names. She is a part of both popular national culture and traditional folk culture and is akin to other figures who roam about sometime during the Twelve Days and reward the good, punish the bad, and receive offerings. The Befana is a mysterious, contradictory figure of unclear origins. This character is enhanced by the fact that she is overall neglected by scholars but is the subject of much speculation by the ones who do mention her. Pre-Christian, Christian, and syncretism of the two have all been postulated as explanations of her origins. In some parts of Italy, especially the central regions, mumming takes place on Epiphany eve. Dolls are made of her and effigies are burnt and bonfires are often lit. She brings gifts to good children, typically sweets, candies or toys, but coal to bad children. She is usually portrayed as a hag riding a broomstick through the air wearing a black shawl and is covered in soot because she enters the children's houses through the chimney. She is often smiling and carries a bag or hamper filled with candy, gifts, or both. She is not only loved but also feared and mocked, particularly by children.

A Christmas gift or Christmas present is a gift given in celebration of Christmas. Christmas gifts are often exchanged on Christmas Eve (December 24), Christmas Day itself (December 25) or on the last day of the twelve-day Christmas season, Twelfth Night (January 5). The practice of giving gifts during Christmastide, according to Christian tradition, is symbolic of the presentation of the gifts by the Three Wise Men to the infant Jesus.

The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path".

Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew (2:1–22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists used the expanded Christian iconography to reinforce the idea that Jesus was recognized, from his earliest infancy, as king of the earth. The adoration scene was often used to represent the Nativity, one of the most indispensable episodes in cycles of the Life of the Virgin as well as the Life of Christ.

The flight into Egypt is a story recounted in the Gospel of Matthew (Matthew 2:13–23) and in New Testament apocrypha. Soon after the visit by the Magi, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary and the infant Jesus since King Herod would seek the child to kill him. The episode is frequently shown in art, as the final episode of the Nativity of Jesus in art, and was a common component in cycles of the Life of the Virgin as well as the Life of Christ. Within the narrative tradition, iconic representation of the "Rest on the Flight into Egypt" developed after the 14th century.

Epiphany (/əˈpɪfəni/ ə-PIF-ə-nee), also known as Theophany in Eastern Christian tradition, is a Christian feast day commemorating the visit of the Magi, the baptism of Jesus, and the wedding at Cana.

In Western Christianity, the feast commemorates principally (but not solely) the visit of the Magi to the Christ Child, and thus Jesus Christ's physical manifestation to the Gentiles. It is sometimes called Three Kings' Day, and in some traditions celebrated as Little Christmas. Moreover, the feast of the Epiphany, in some denominations, also initiates the liturgical season of Epiphanytide.

The Star of Bethlehem, or Christmas Star, appears in the nativity story of the Gospel of Matthew chapter 2 where "wise men from the East" (Magi) are inspired by the star to travel to Jerusalem. There, they meet King Herod of Judea, and ask him:

Herod calls together his scribes and priests who, quoting a verse from the Book of Micah, interpret it as a prophecy that the Jewish Messiah would be born in Bethlehem to the south of Jerusalem. Secretly intending to find and kill the Messiah in order to preserve his own kingship, Herod invites the wise men to return to him on their way home.

The Feast of the Baptism of the Lord, or Theophany, is the feast day commemorating the baptism of Jesus in the Jordan River by John the Baptist. Originally the baptism of Christ was celebrated on Epiphany, which commemorates the coming of the Magi, the baptism of Christ, and the wedding at Cana. Over time in the West, however, the celebration of the baptism of the Lord came to be commemorated as a distinct feast from Epiphany. It is celebrated in the Catholic Church as well as the Anglican and Lutheran Churches on the first Sunday following The Epiphany of Our Lord (January 6). Some Lutheran churches celebrate it on the Sunday before Lent, or Quinquagesima.

The Adoration of the Kings by the Early Netherlandish painter Gerard David (c. 1460 – 1523) is a painting in oil on panel, probably from after 1515, now in the National Gallery in London (NG 1079). The painted surface measures some 60 by 59.2 centimetres (23.6 in × 23.3 in), and the panel is about 2 centimetres (0.79 in) larger in both dimensions. The panel comes from a dismantled altarpiece from which one other panel appears to survive, the Lamentation that is also in the National Gallery (NG 1078).

The Adoration of the Magi is a common subject, which often represents the Nativity of Jesus in art, especially in this period, when the opportunity was often taken to show rich costumes in the figures of the Biblical Magi and their retinue, as for example in the slightly earlier Adoration by Jan Gossaert, also in the National Gallery, to which David is sometimes thought to have contributed. Though that is a much larger and more crowded painting, David may have borrowed aspects of the composition here from it.