Bernardo Daddi (c. 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality. He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity.
HINT:
In this Dossier
Bernardo Daddi in the context of Orcagna
Andrea di Cione di Arcangelo (c. 1308 – 25 August 1368), better known as Orcagna, was an Italian painter, sculptor, and architect active in Florence. He worked as a consultant at the Florence Cathedral and supervised the construction of the façade at the Orvieto Cathedral. His monumental marble tabernacle (1352–1359), commissioned by the confraternity of Orsanmichele to protect the Maestà by Bernardo Daddi (1347) at Orsanmichele, was immediately praised. The tabernacle, executed according to his design with the assistance of a team of selected sculptors and masons, included 117 figural sculptures or reliefs as part of a domed structure.
His Strozzi Altarpiece (1354–1357) is noted as defining a new role for Christ as a source of Catholic doctrine and papal authority, as central figure enthroned actively handing out the (Dominican, or generally the Mendicant theology to Thomas Aquinas, and the keys of the church to St. Peter.
View the full Wikipedia page for Orcagna