Bernardo Bertolucci in the context of "BAFTA Award"

Cinecittà Studios (pronounced [ˌtʃinetʃitˈta]; Italian for Cinema City) is a large film studio in Rome, Italy. With an area of 400,000 square metres (99 acres), it is the largest film studio in Europe, and is considered the hub of Italian cinema. The studios were constructed during the Fascist era as part of a plan to revive the Italian film industry and to compete with Hollywood.

Filmmakers such as Federico Fellini, Roberto Rossellini, Luchino Visconti, Sergio Leone, Bernardo Bertolucci, Francis Ford Coppola, Martin Scorsese, Mel Gibson and Luca Guadagnino have worked at Cinecittà. More than 3,000 movies have been filmed there, of which 90 received an Academy Award nomination and 47 of these won it. In the 1950s, the number of international productions being made there led to Rome being dubbed "Hollywood on the Tiber."

Les Enfants Terribles is a 1929 novel by Jean Cocteau, published by Editions Bernard Grasset. It concerns two siblings, Elisabeth and Paul, who isolate themselves from the world as they grow up, an isolation which is shattered by the stresses of their adolescence. It was first translated into English by Samuel Putnam in 1930 and published by Brewer & Warren. A later English translation by Rosamond Lehmann was published in the U.S. by New Directions (ISBN 0811200213) in 1955, and in Canada by Mclelland & Stewart in 1966, with the title translated as The Holy Terrors. The book is illustrated by the author's own drawings.

The novel was made into a film of the same name, a collaboration between Cocteau and director Jean-Pierre Melville, in 1950, and inspired the opera of the same name by Philip Glass. Miloš Petrović composed a chamber opera based on the novel. The ballet La Boule de neige by the choreographer Fabrizio Monteverde [it], with music by Pierluigi Castellano, is also based on this novel. The story was adapted by the writer Gilbert Adair for his 1988 novel The Holy Innocents, which was the basis for Bernardo Bertolucci's 2003 film The Dreamers.

Jean-Pierre Léaud, ComM (French: [ʒɑ̃pjɛʁ le.o]; born 28 May 1944) is a French actor best known for being an important figure of the French New Wave and his portrayal of Antoine Doinel in a series of films by François Truffaut, beginning with The 400 Blows (1959). He has worked with Jean-Luc Godard, Agnès Varda, and Jacques Rivette, as well as other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, and Aki Kaurismäki.

The Last Emperor (Italian: L'ultimo imperatore) is a 1987 epic biographical drama film about the life of Puyi, the last Emperor of China. It is directed by Bernardo Bertolucci from a screenplay he co-wrote with Mark Peploe, which was adapted from Puyi's 1964 autobiography, and independently produced by Jeremy Thomas.

The film depicts Puyi's life from his ascent to the throne as an infant to his imprisonment and political rehabilitation by the Chinese Communist Party. It stars John Lone in the eponymous role, with Peter O'Toole, Joan Chen, Ruocheng Ying, Victor Wong, Dennis Dun, Vivian Wu, Lisa Lu, and Ryuichi Sakamoto (who also composed the film score with David Byrne and Cong Su). It was the first Western feature film authorised by the People's Republic of China to film in the Forbidden City in Beijing.

The Dreamers (French: Innocents: The Dreamers) is a 2003 erotic romantic drama film directed by Bernardo Bertolucci from a screenplay by Gilbert Adair, based on Adair's 1988 novel The Holy Innocents. An international co-production by companies from France, Italy and the United Kingdom, the film tells the story of an American university student in Paris who, after meeting a peculiar brother and sister who are fellow film enthusiasts, becomes entangled in an erotic triangle. It is set against the backdrop of the 1968 Paris student riots. The film makes several references to various movies of classical and French New Wave cinema, incorporating clips from films that are often imitated by the actors in particular scenes.

There are two versions: an uncut NC-17-rated version, and an R-rated version that is about three minutes shorter. It was the first credited film appearance of Eva Green, and is considered her breakthrough role.