Benvenuto Cellini (opera) in the context of "Benvenuto Cellini"

Play Trivia Questions online!

or

Skip to study material about Benvenuto Cellini (opera) in the context of "Benvenuto Cellini"




⭐ Core Definition: Benvenuto Cellini (opera)

Benvenuto Cellini is an opera semiseria in four tableaux (spread across two or three acts) by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique (Salle Le Peletier) on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier, who invented most of the plot inspired by the memoirs of the Florentine sculptor Benvenuto Cellini. The opera is technically challenging and was until the 21st century rarely performed. However, the overture occasionally features in orchestral concerts, as does the concert overture Le carnaval romain which Berlioz composed from material in the opera.

↓ Menu

In this Dossier

Benvenuto Cellini (opera) in the context of Hector Berlioz

Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.

The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style sufficiently to win France's premier music prize – the Prix de Rome – in 1830, but he learned little from the academics of the Paris Conservatoire. Opinion was divided for many years between those who thought him an original genius and those who viewed his music as lacking in form and coherence.

↑ Return to Menu