Bayeux Tapestry in the context of "Lance"

The history of comics has followed different paths in different parts of the world. It can be traced back to early precursors such as Trajan's Column, in Rome, Egyptian hieroglyphs and the Bayeux Tapestry.

Herleva (c. 1005 – c. 1050) was an 11th-century Norman woman known for having been the mother of William the Conqueror, born to an extramarital relationship with Robert I, Duke of Normandy, and also of William's prominent half-brothers Odo of Bayeux and Robert, Count of Mortain, born to Herleva's marriage to Herluin de Conteville.

England in the Middle Ages concerns the history of England during the medieval period, from the end of the 5th century through to the start of the early modern period in 1485. When England emerged from the collapse of the Roman Empire, the economy was in tatters and many of the towns abandoned. After several centuries of Germanic immigration, new identities and cultures began to emerge, developing into kingdoms that competed for power. A rich artistic culture flourished under the Anglo-Saxons, producing epic poems such as Beowulf and sophisticated metalwork. The Anglo-Saxons converted to Christianity in the 7th century, and a network of monasteries and convents were built across England. In the 8th and 9th centuries, England faced fierce Viking attacks, and the fighting lasted for many decades. Eventually, Wessex was established as the most powerful kingdom and promoted the growth of an English identity. Despite repeated crises of succession and a Danish seizure of power at the start of the 11th century, it can also be argued that by the 1060s England was a powerful, centralised state with a strong military and successful economy.

The Norman invasion of England in 1066 led to the defeat and replacement of the Anglo-Saxon elite with Norman and French nobles and their supporters. William the Conqueror and his successors took over the existing state system, repressing local revolts and controlling the population through a network of castles. The new rulers introduced a feudal approach to governing England, eradicating the practice of slavery, but creating a much wider body of unfree labourers called serfs. The position of women in society changed as laws regarding land and lordship shifted. England's population more than doubled during the 12th and 13th centuries, fueling an expansion of the towns, cities, and trade, helped by warmer temperatures across Northern Europe. A new wave of monasteries and friaries was established while ecclesiastical reforms led to tensions between successive kings and archbishops. Despite developments in England's governance and legal system, infighting between the Anglo-Norman elite resulted in multiple civil wars and the loss of Normandy.

Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast.

Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo-Saxon architecture, a number of very fine ivory carvings, and some works in metal and other materials. Opus Anglicanum ("English work") was already recognised as the finest embroidery in Europe, although only a few pieces from the Anglo-Saxon period remain – the Bayeux Tapestry is a rather different sort of embroidery, on a far larger scale. As in most of Europe at the time, metalwork was the most highly regarded form of art by the Anglo-Saxons, but hardly any survives – there was enormous plundering of Anglo-Saxon churches, monasteries and the possessions of the dispossessed nobility by the new Norman rulers in their first decades, as well as the Norsemen before them, and the English Reformation after them, and most survivals were once on the continent. Anglo-Saxon taste favoured brightness and colour, and an effort of the imagination is often needed to see the excavated and worn remains that survive as they once were.

Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. It is one of the oldest forms of textile art, with origins dating back thousands of years across various cultures. Common stitches found in early embroidery include the chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Modern embroidery continues to utilize traditional techniques, though many contemporary stitches are exclusive to machine embroidery.

Embroidery is commonly used to embellish accessories and garments is usually seen on quilts, clothing, and accessories. In addition to thread, embroidery may incorporate materials such as pearls, beads, quills, and sequins to highlight texture and design. Today, embroidery serves both decorative and functional purposes and is utilized in fashion expression, cultural identity, and custom-made gifts.

Bayeux Cathedral, also known as Cathedral of Our Lady of Bayeux (French: Cathédrale Notre-Dame de Bayeux), is a Roman Catholic church located in the town of Bayeux in Normandy, France. A national monument, it is the seat of the Bishop of Bayeux and Lisieux and was probably the original home of the Bayeux Tapestry, still preserved nearby. The cathedral is in the Norman-Romanesque architectural tradition.

The site is an ancient one and was once occupied by Roman sanctuaries. The present cathedral was consecrated on 14 July 1077 in the presence of William, Duke of Normandy. It was on this site that William may have forced Harold Godwinson to take an oath of support to him, the breaking of which led to the Norman Conquest of England – meaning that the oath must have been made before 1066.