Battle of Pinkie Cleugh in the context of "William Patten (historian)"

John Dudley, 1st Duke of Northumberland (1504 – 22 August 1553) was an English military officer and politician, who led the government of the young King Edward VI from 1550 until 1553, and unsuccessfully tried to install Lady Jane Grey on the English throne after the King's death. The son of Edmund Dudley, a minister of Henry VII executed by Henry VIII, John Dudley became the ward of Sir Edward Guildford at the age of seven. Dudley grew up in Guildford's household together with his future wife, Guildford's daughter Jane, with whom he was to have 13 children. Dudley served as Vice-Admiral and Lord High Admiral from 1537 until 1547, during which time he set novel standards of navy organisation and was an innovative commander at sea. He also developed a strong interest in overseas exploration. Dudley took part in the 1544 campaigns in Scotland and France and was one of Henry VIII's intimates in the last years of the reign. He was also a leader of the religious reform party at court.

In 1547, Dudley was created Earl of Warwick and, with the Duke of Somerset, England's Lord Protector, distinguished himself in the renewed Scottish war at the Battle of Pinkie Cleugh. During the country-wide uprisings of 1549 Dudley put down Kett's Rebellion in Norfolk. Convinced of the Protector's incompetence, he and other privy councillors forced Somerset out of office in October 1549. Having averted a conservative reaction in religion and a plot to destroy him alongside Somerset, Dudley emerged in early 1550 as de facto regent for the 12-year-old Edward VI. He reconciled himself with Somerset, who nevertheless soon began to intrigue against him and his policies. Somerset was executed on largely fabricated charges, three months after Dudley had been raised to the Dukedom of Northumberland in October 1551.

Scottish folk music (also Scottish traditional music) is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh Song". After the Reformation, the secular popular tradition of music continued, despite attempts by the Kirk, particularly in the Lowlands, to suppress dancing and events like penny weddings. The first clear reference to the use of the Highland bagpipes mentions their use at the Battle of Pinkie Cleugh in 1547. The Highlands in the early seventeenth century saw the development of piping families including the MacCrimmons, MacArthurs, MacGregors and the Mackays of Gairloch. There is also evidence of adoption of the fiddle in the Highlands. Well-known musicians included the fiddler Pattie Birnie and the piper Habbie Simpson. This tradition continued into the nineteenth century, with major figures such as the fiddlers Niel and his son Nathaniel Gow. There is evidence of ballads from this period. Some may date back to the late Medieval era and deal with events and people that can be traced back as far as the thirteenth century. They remained an oral tradition until they were collected as folk songs in the eighteenth century.

The earliest printed collection of secular music comes from the seventeenth century. Collection began to gain momentum in the early eighteenth century and, as the Kirk's opposition to music waned, there was a flood of publications including Allan Ramsay's verse compendium The Tea Table Miscellany (1723) and The Scots Musical Museum (1787 to 1803) by James Johnson and Robert Burns. From the late nineteenth century there was renewed interest in traditional music, which was more academic and political in intent. In Scotland collectors included the Reverend James Duncan and Gavin Greig. Major performers included James Scott Skinner. This revival began to have a major impact on classical music, with the development of what was in effect a national school of orchestral and operatic music in Scotland, with composers such as Alexander Mackenzie, William Wallace, Learmont Drysdale, Hamish MacCunn and John McEwen.