Basket weaving in the context of Sewing

The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.

Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.

Wood splitting (riving, cleaving) is an ancient technique used in carpentry to make lumber for making wooden objects, some basket weaving, and to make firewood. Unlike wood sawing, the wood is split along the grain using tools such as a hammer and wedges, splitting maul, cleaving axe, side knife, or froe.

The Coast Veddas (Tamil: கரையோர வேடர்கள், romanized: Karaiyōra Vēṭarkaḷ, Sinhala: වෙරළේ වැද්දන්, romanized: Veraḷē Væddan), by self-designation, form a social group within the minority Sri Lankan Tamil ethnic group of the Eastern province of Sri Lanka. They are primarily found in small coastal villages from the eastern township of Trincomalee to Batticalao. Nevertheless, they also inhabit a few villages south of Batticalao as well. They make a living by fishing, slash and burn agriculture, paddy cultivation of rice, basket weaving for market and occasional wage labor. Anthropologists consider them to be partly descended from the indigenous Vedda people, as well as local Tamils. Residents of the Eastern province consider their Vedar (Tamil for "hunter") neighbors to have been part of the local social structure from earliest times, whereas some Vedar elders believe that their ancestors may have migrated from the interior at some time in the past.

They speak a dialect of Sri Lankan Tamil that is used in the region. During religious festivals, people who enter a trance or spirit possession sometimes use a mixed language that contains words from the Vedda language. Most Vedar are Hindu Saivites and worship a plethora of folk deities, as well as the main Hindu deities such as Murugan, Pillaiyar and Amman. They also maintain the ancestor worship tradition of the interior Veddas. Clan divisions, if they still exist, do not play an important role in choosing of marriage partners or place of domicile. Most identify themselves as a caste among the Tamils as opposed to a separate ethnic group. Their economic conditions have been impacted by the Sri Lankan civil war.

The Fuliru people (also spelled Fuliiru) are a Bantu ethnic group native to the South Kivu Province of the eastern region of the Democratic Republic of the Congo. They predominantly inhabit the Uvira Territory, forming the largest ethnic group within the Bafuliiru Chiefdom, located centrally and to the northwest. They also form the primary constituency in the Ruzizi Plain Chiefdom, to the northeast, near the Rwanda and Burundi borders, where some Fuliru communities reside.

According to a 2009 census, their population was estimated at over 250,000, while a 1999 estimate of Kifuliru-language speakers placed the number at 300,000. The Fuliru speak the Fuliru language, a branch of the Bantu subgroup within the Niger-Congo family, closely related to Vira, Shi, Havu, Tembo, and Nyindu. Occupationally, Fuliru primarily work in agriculture and herding, with a notable reputation in pottery and basket-weaving. Their handcrafted baskets are used for storage, decoration, and even as musical instruments.

The basket weave knots are a family of bend and lanyard knots with a regular pattern of over–one, under–one. All of these knots are rectangular and lie in a plane. They are named after plait-woven baskets, which have a similar appearance.

A straw hat is a wide-brimmed hat that is woven out of straw or straw-like synthetic materials. Straw hats are a type of sun hat designed to shade the head and face from direct sunlight, but are also used in fashion as a decorative element or a uniform.

Tussock grasses (also known as bunch grasses or hummock grasses) are a group of grass species in the family Poaceae. They usually grow as singular plants in clumps, tufts, hummocks, or bunches, rather than forming a sod or lawn, in meadows, grasslands, and prairies. As perennial plants, most species live more than one season. Tussock grasses are often found as forage in pastures and ornamental grasses in gardens.

Many species have long roots that may reach two meters (6+1⁄2 feet) or more into the soil, which can aid slope stabilization, erosion control, and soil porosity for precipitation absorption. Also, their roots can reach moisture more deeply than other grasses and annual plants during seasonal or climatic droughts. The plants provide habitat and food for insects (including Lepidoptera), birds, small animals and larger herbivores, and support beneficial soil mycorrhiza. The leaves supply material, such as for basket weaving, for indigenous peoples and contemporary artists.

African-American art is known as a broad term describing visual art created by African Americans. The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. Some have drawn on cultural traditions in Africa, and other parts of the world where the Black diaspora is found, for inspiration. Others have found inspiration in traditional African-American plastic art forms, including basket weaving, pottery, quilting, woodcarving and painting, all of which are sometimes classified as "handicrafts" or "folk art".

Many have also been inspired by European traditions in art, as well as personal experience of life, work and studies there. Like their Western colleagues, many work in Realist, Modernist and Conceptual styles, and all the variations in between, including America's home-grown Abstract expressionist movement, an approach to art seen in the work of Howardena Pindell, McArthur Binion and Norman Lewis, among others.