Basket in the context of Fiber

Papyrus (/pəˈpaɪrəs/ pə-PY-rəs) is a material similar to thick paper that was used in ancient times as a writing material. It was made from the pith of the papyrus plant, Cyperus papyrus, a wetland sedge. Papyrus (plural: papyri or papyruses) can also refer to a document written on sheets of such material, joined side by side and rolled up into a scroll, an early form of a book.

Papyrus was first known to have been used in Egypt (at least as far back as the First Dynasty), as the papyrus plant was once abundant across the Nile Delta. It was also used throughout the Mediterranean region. Apart from writing material, ancient Egyptians employed papyrus in the construction of other artifacts, such as reed boats, mats, rope, sandals, and baskets.

In classical antiquity, the cornucopia (/ˌkɔːrn(j)əˈkoʊpiə, -n(j)uː-/ ; from Latin cornu 'horn' and copia 'abundance'), also called the horn of plenty, is a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts. In Greek, it was called the "horn of Amalthea" (Ancient Greek: κέρας Ἀμαλθείας, romanized: kéras Amaltheías), after Amalthea, a nurse of Zeus, who is often part of stories of the horn's origin.

Baskets or panniers of this form were traditionally used in western Asia and Europe to hold and carry newly harvested food products. The horn-shaped basket would be worn on the back or slung around the torso, leaving the harvester's hands free for picking.

A container is any receptacle or enclosure for holding a product used in storage, packaging, and transportation, including shipping.Things kept inside of a container are protected on several sides by being inside of its structure. The term is most frequently applied to devices made from materials that are durable and are often partly or completely rigid.

A container can also be considered as a basic tool, consisting of any device creating a partially or fully enclosed space that can be used to contain, store, and transport objects or materials.

A calathus /ˈkæləθəs/ or kalathos /ˈkæləˌθɒs/ (Ancient Greek: κάλαθος, plural calathi or kalathoi κάλαθοι) was a basket resembling a top hat, used to hold wool or fruit, often used in ancient Greek art as a symbol of abundance and fertility. These baskets were made by weaving together reeds or twigs. They were typically used by women to store skeins of wool, but they had other uses in the household. In Roman times, there are reports for baskets of these sorts to be used in agricultural activities like bringing in the fruits from the fields.

The word was also used to describe ceramic vases designed in the shape of the calathus basket, which is the usual application in archaeology, since vases have survived while baskets have not.

An aerostat (from Ancient Greek ἀήρ (aḗr) 'air' and στατός (statós) 'standing', via French) or lighter-than-air aircraft is an aircraft that relies on buoyancy to maintain flight. Aerostats include unpowered balloons (free-flying or tethered) and powered airships.

The relative density of an aerostat as a whole is lower than that of the surrounding atmospheric air (hence the name "lighter-than-air"). Its main component is one or more gas capsules made of lightweight skins, containing a lifting gas (hot air, or any gas with lower density than air, typically hydrogen or helium) that displaces a large volume of air to generate enough buoyancy to overcome its own weight. Payload (passengers and cargo) can then be carried on attached components such as a basket, a gondola, a cabin or various hardpoints. With airships, which need to be able to fly against wind, the lifting gas capsules are often protected by a more rigid outer envelope or an airframe, with other gasbags such as ballonets to help modulate buoyancy.

In aeronautics, a balloon is an unpowered aerostat, which remains aloft or floats due to its buoyancy. It may use hot air as a lifting gas, or it may use gas that is not air like hydrogen or helium. A balloon may be free, moving with the wind, or tethered to a fixed point. It is distinct from an airship, which is a powered aerostat that can propel itself through the air in a controlled manner.

Many balloons have a basket, gondola, or capsule suspended beneath the main envelope for carrying people or equipment (including cameras and telescopes, and flight-control mechanisms).

A hand net, also called a scoop net, is a handheld fishing net or meshed basket used to capture and retrieve objects from water, somewhat in the manner of a sieve. It is distinguished from other fishing nets in that the net or mesh is supported by a rigid circular or polygonal frame, which may or may not be mounted to the end of a handle.

A hand net with a long handle is often called a dip net. When it is used by an angler to help "fetch out" or "land" a hooked fish, it is called a landing net.

A pannier /ˈpæniər/ is a basket, bag, box, or similar container, carried in pairs either slung over the back of a beast of burden, or attached to the sides of a bicycle or motorcycle. The term derives from a Middle English borrowing of the Old French panier, meaning 'bread basket'.

Aceramic is defined as "not producing pottery". In archaeology, the term means "without pottery". Aceramic societies usually used bark, basketry, gourds and leather for containers.

"Aceramic" is used to describe a culture at any time prior to its development of pottery as well as cultures that lack pottery altogether. A preceramic period is traditionally regarded as occurring in the early stage of the Neolithic period of a culture, but recent findings in Japan and China have pushed the origin of ceramic technology there well back into the Paleolithic era.

A fiasco (/fiˈæskoʊ/, Italian: [ˈfjasko]; pl.: fiaschi) is a traditional Italian style of bottle, usually with a round body and bottom, partially or completely covered with a close-fitting straw basket. The basket is typically made of sala, a swamp weed, sun-dried and blanched with sulfur. The basket provides protection during transportation and handling, and also a flat base for the container. Thus the glass bottle can have a round bottom, which is much simpler to make by glassblowing. Fiaschi can be efficiently packed for transport, with the necks of inverted bottles safely tucked into the spaces between the baskets of upright ones.

Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into objects, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets may be known as basket makers and basket weavers. Basket weaving is also a rural craft.

Basketry is made from a variety of fibrous or pliable materials—anything that will bend and form a shape. Examples include pine, straw, willow (esp. osier), oak, wisteria, forsythia, vines, stems, fur, hide, grasses, thread, and fine wooden splints. There are many applications for basketry, from simple mats to hot air balloon gondolas.

A corf (pl. corves) also spelt corve (pl. corves) in mining is a wicker basket or a small human powered (in later times in the case of the larger mines, horse drawn) minecart for carrying or transporting coal, ore, etc. Human powered corfs had generally been phased out by the turn of the 20th century, with horse drawn corfs having been mostly replaced by horse drawn or motorised minecarts mounted on rails by the late 1920s. Also similar is a Tram, originally a box on runners, dragged like a sledge.

The Kanephoros (Ancient Greek: Κανηφόρος, [kanɛːpʰóros], pl. Kanephoroi (Greek: Κανηφόροι); latinate plural form Canephorae; lit. "Basket Bearers") was an honorific office given to unmarried young women in ancient Greece, which involved the privilege of leading the procession to sacrifice at festivals; the highest honour was to lead the pompe (πομπή) at the Panathenaic Festival. The role was given to a virgin selected from amongst the aristocratic or Eupatrid families of Athens whose purity and youth was thought essential to ensure a successful sacrifice. Her task was to carry a basket or kanoun (κανοῦν), which contained the offering of barley or first fruits, the sacrificial knife and fillets to decorate the bull, in procession through the city up to the altar on the acropolis.

From Aristophanes’s Lysistrata we have evidence that the office of kanephoros was the last in a sequence of religious duties that an unmarried Athenian girl might undertake; first as an arrhephoros, later an aletris, then as an arktos (ἄρκτος). The passage continues, "[f]inally, when I had grown to be a beautiful girl, I was a kanephoros and wore a necklace of dried figs." Though the precise age of the kanephoros is not known, this suggests the girl was probably between 11 and 15.