Basilinna in the context of Dionysus


Basilinna in the context of Dionysus

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⭐ Core Definition: Basilinna

The basilinna (Ancient Greek: βασίλιννα) or basilissa (Ancient Greek: βασίλισσα), both titles meaning "queen", was a ceremonial position in the religion of ancient Athens, held by the wife of the archon basileus. The role dated to the time when Athens was ruled by kings, and their wives acted as priestesses (Hiereiai). The duties of the basilinna are described in the pseudo-Demosthenic speech Against Neaira, which is the main source of evidence about the position.

The laws which set out the qualifications for a basilinna were inscribed on a stele which stood in the sanctuary of Dionysus at Limnai. She was expected to be of Athenian birth and not previously married, though Noel Robertson argues that these requirements may have been ignored as inconvenient.

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Basilinna in the context of Basileus

Basileus (Ancient Greek: βασιλεύς) is a Greek term and title that has signified various types of monarchs throughout history. In the English-speaking world, it is perhaps most widely understood to mean 'monarch', referring to either a 'king' or an 'emperor'. The title was used by sovereigns and other persons of authority in ancient Greece (especially during the Hellenistic period), the Byzantine emperors, and the kings of modern Greece. The name Basileios (Basil), deriving from the term basileus, is a common given name in the Eastern Orthodox Church and Syriac Orthodox Church for the Maphrian.

The feminine forms are basileia (βασίλεια), basilissa (βασίλισσα), basillis (βασιλίς), or the archaic basilinna (βασιλίννα), meaning 'queen' or 'empress'. The related term basileia (βασιλεία) has meanings such as 'sovereignty', 'royalty', 'kingdom', 'reign', 'dominion' and 'authority'.

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Basilinna in the context of Bema of Phaidros

37°58′13″N 23°43′40″E / 37.97034°N 23.727784°E / 37.97034; 23.727784

The Bema of Phaidros (Ancient Greek: Βῆμα τοῦ Φαίδρου) is the marble platform created in the third century CE that served as stage front to the Theatre of Dionysos in Athens. It is decorated with a Neo-Attic Roman sculpture of the Hadrianic or Antonine period, this sculpture was dismantled sometime in antiquity, moved from an unknown location, and rebuilt into the bema of the Theatre by Phaidros, archon of Athens. Four stone reliefs decorate the stage front illustrating scenes from the life of Dionysos they are: 1) The birth of Dionysos, 2) the entrance of Dionysos into Attica, 3) the sacred marriage of Dionysos and the Basilinna and 4) the enthronement of Dionysos. These scenes are framed by crouching Silenoi.

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