Basilica of Sant'Ambrogio in the context of "Narthex"

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⭐ Core Definition: Basilica of Sant'Ambrogio

The Basilica of Sant'Ambrogio, officially known as Basilica romana minore collegiata abbaziale prepositurale di Sant'Ambrogio (Lombard: Basilica romana menyor collegiada abbaziala prepositulara de Sant'Ambroeus), is an ancient Romanesque-style, Roman Catholic church located in the center of Milan, in the region of Lombardy, Italy.

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👉 Basilica of Sant'Ambrogio in the context of Narthex

The narthex is an architectural element typical of early Christian and Byzantine basilicas and churches consisting of the entrance or vestibule, located at the west end of the nave, opposite the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper.

In early Christian churches the narthex was often divided into two distinct parts: an esonarthex (inner narthex) between the west wall and the body of the church proper, separated from the nave and aisles by a wall, arcade, colonnade, screen, or rail, and an external closed space, the exonarthex (outer narthex), a court in front of the church façade delimited on all sides by a colonnade as in the first St. Peter's Basilica in Rome or in the Basilica of Sant'Ambrogio in Milan. The exonarthex may have been either open or enclosed with a door leading to the outside, as in the Byzantine Chora Church.

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Basilica of Sant'Ambrogio in the context of Ciborium (architecture)

In ecclesiastical architecture, a ciborium (Greek: κιβώριον; lit.'ciborion') is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a church. It may also be known by the more general term of baldachin, though ciborium is often considered more correct for examples in churches. A baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or, as at Saint Peter’s in Rome, imitate one. There are exceptions; Bernini's structure in Saint Peter's, Rome is always called the baldachin.

Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizing its importance. The altar and ciborium are often set upon a dais to raise it above the floor of the sanctuary.

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Basilica of Sant'Ambrogio in the context of Architrave

In classical architecture, an architrave (/ˈɑːrkɪˌtrv/; from Italian architrave 'chief beam'), also called an epistyle (from Ancient Greek ἐπίστυλον (epístulon) 'on the column'), is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns.

The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint).

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