Basilica of San Francesco d'Assisi in the context of "Assisi"

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⭐ Core Definition: Basilica of San Francesco d'Assisi

The Basilica of Saint Francis of Assisi (Italian: Basilica di San Francesco d'Assisi; Latin: Basilica Sancti Francisci Assisiensis) is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in central Italy, where Saint Francis was born and died. It is a papal minor basilica and one of the most important places of Christian pilgrimage in Italy. With its accompanying friary, Sacro Convento, the basilica is a distinctive landmark to those approaching Assisi. It has been a UNESCO World Heritage Site since 2000.

The basilica, which was begun in 1228, is built into the side of a hill and comprises two churches (known as the Upper Church and the Lower Church) and a crypt, where the remains of the saint are interred. The interior of the Upper Church is an important early example of the Gothic style in Italy. The Upper and Lower Churches are decorated with frescoes by numerous late medieval painters from the Roman and Tuscan schools, and include works by Cimabue, Giotto, Simone Martini, Pietro Lorenzetti, and possibly Pietro Cavallini. The range and quality of the works give the basilica a unique importance in demonstrating the outstanding development of Italian art of this period, especially if compared with the rest of Christian Europe.

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Basilica of San Francesco d'Assisi in the context of Triumphal entry into Jerusalem

The triumphal entry into Jerusalem is a narrative in the four canonical Gospels describing the arrival of Jesus in Jerusalem a few days before his crucifixion. This event is celebrated each year by Christians on Palm Sunday.

According to the gospels, Jesus arrived in Jerusalem to celebrate Passover, entering the city riding a donkey. He was greeted by a crowd acclaiming him by waving palm branches and laying cloaks on the ground to honor him. This episode introduces the events of the Passion of Jesus, leading to his crucifixion and resurrection. The event is described in Matthew 21:1–11, Mark 11:1–11, Luke 19:28–44 and John 12:12–19.

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Basilica of San Francesco d'Assisi in the context of Maestà

Maestà [maeˈsta], the Italian word for 'majesty', designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The Maestà is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine mosaics. Maria Regina is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child.

In the West, the image seems to have developed from Byzantine precedents such as the coin of Constantine's Empress Fausta, crowned and with their sons on her lap and from literary examples, such as Flavius Cresconius Corippus's celebration of Justin II's coronation in 565. Paintings depicting the Maestà came into the mainstream artistic repertory, especially in Rome, in the late twelfth and early thirteenth centuries, with an increased emphasis on the veneration of Mary. The Maestà was often executed in fresco technique directly on plastered walls or as paintings on gessoed wooden altar panels.

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