Banksy in the context of Stencil graffiti


Banksy in the context of Stencil graffiti

⭐ Core Definition: Banksy

Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stencilling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.

Banksy displays his art on publicly visible surfaces such as walls and self-built physical prop pieces. He no longer sells photographs or reproductions of his street graffiti, but his public "installations" are regularly resold, often even by removing the wall on which they were painted. Much of his work can be classified as temporary art. A small number of his works are officially, non-publicly, sold through an agency he created called Pest Control. Banksy directed and starred in the documentary film Exit Through the Gift Shop, which made its debut at the 2010 Sundance Film Festival. In January 2011, it was nominated for the Academy Award for Best Documentary Feature Film. Banksy received the Webby Person of the Year award at the 2014 Webby Awards.

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Banksy in the context of Privacy

Privacy (UK: /ˈprɪvəsi/, US: /ˈpr-/) is the ability of an individual or group to seclude themselves or information about themselves, and thereby express themselves selectively.

The domain of privacy partially overlaps with security, which can include the concepts of appropriate use and protection of information. Privacy may also take the form of bodily integrity.

View the full Wikipedia page for Privacy
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