Baltimore Painter in the context of "Loutrophoros"

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⭐ Core Definition: Baltimore Painter

The Baltimore Painter was an Apulian vase painter whose works date to the final quarter of the 4th century BC. He is considered the most important Late Apulian vase painter, and the last Apulian painter of importance. His conventional name is derived from a vase kept at the Walters Art Museum in Baltimore.

The Baltimore Painter's early work was strongly influenced by the Patera Painter. He mainly painted large format volute kraters, amphorae, loutrophoroi and hydriai. It is likely that his workshop was at Canosa.

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Baltimore Painter in the context of Name vase

In classical archaeology, a name vase is a specific "vase" whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies their characteristic style, or for one of its distinctive painted subjects, or for other attributes.

The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced by John D. Beazley, the first scholar to study them systematically; for South Italian vases, Arthur Dale Trendall played a similar role.

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