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⭐ In the context of folk art, the training and output of artisans like George Smart (tailor) is most notably characterized by…

Folk art is defined by its roots in cultural traditions passed down through communities, and its creations often have a functional purpose, contrasting with the formal training and purely aesthetic focus of fine art.

⭐ Core Definition: George Smart (tailor)

George Smart (1774-1846) was an English tailor and folk artist notable for his cloth collage portraits and felt covered dummyboards. He lived in Frant, a village in East Sussex, England. His artworks were mentioned in several guidebooks of the time that encouraged tourists to visit his shop. His most notable subjects were Old Bright, the local postman and The Goosewoman. The Tunbridge Wells Museum owns ten examples of his work and Compton Verney Art Gallery in Warwickshire has two pictures.

In the summer of 2014, twenty one artworks by George Smart were included in Tate Britain's "British Folk Art" exhibition, the first time his work had been gathered together in a major gallery and in such quantity. These included all the examples of his work owned by the Tunbridge Wells Museum, Kent.

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👉 George Smart (tailor) in the context of Folk art

Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.

The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines."

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