Balletmaster in the context of The Ballet Class (Degas, Musée d'Orsay)


Balletmaster in the context of The Ballet Class (Degas, Musée d'Orsay)

⭐ Core Definition: Balletmaster

A ballet master (also balletmaster, ballet mistress, premier maître de ballet or premier maître de ballet en chef) is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender (e.g. ballet master in lieu of ballet mistress, wig master as an alternative to wig mistress).

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Balletmaster in the context of Lev Ivanov

Lev Ivanovich Ivanov (Russian: Лев Ива́нович Ива́нов; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. As a performer with the Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of La Fille Mal Gardée. He is most famous as the choreographer of Acts II and IV of Swan Lake, which include the Dance of the Little Swans, Act II of Cinderella, and The Nutcracker, which he choreographed alongside Marius Petipa.

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Balletmaster in the context of Joseph Mazilier

Joseph Mazilier (1 March 1801 – 19 May 1868) was a 19th-century French dancer, balletmaster and choreographer. He was born as Giulio Mazarini. He was most noted for his ballets Paquita (1844) and Le Corsaire (1856). He created the role of James in La Sylphide with Marie Taglioni. Marie Guy-Stéphan debuted in Aelia et Mysis at the Paris Opéra when she moved in 1853 to Paris.

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