Autobiographical in the context of Literary genre


Autobiographical in the context of Literary genre

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⭐ Core Definition: Autobiographical

An autobiography, sometimes informally called an autobio, is a self-written account of one's own life, providing a personal narrative that reflects on the author's experiences, memories, and insights. This genre allows individuals to share their unique perspectives and stories, offering readers a glimpse into the author's personal journey and the historical or cultural context in which they lived.

The term "autobiography" was first used in 1797, but the practice of writing about one's life dates back to antiquity. Early examples include Saint Augustine's Confessions (c. 400), which is considered one of the first Western autobiographies. Unlike biographies, which are written by someone else, autobiographies are based on the author's memory and personal interpretation of events, making them inherently subjective. This subjectivity can sometimes lead to inaccuracies or embellishments, as the author may recall events differently or choose to present them in a certain light.

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Autobiographical in the context of Discourse on the Method

Discourse on the Method of Rightly Conducting One's Reason and of Seeking Truth in the Sciences (French: Discours de la Méthode pour bien conduire sa raison, et chercher la vérité dans les sciences) is a philosophical and autobiographical treatise published by René Descartes in 1637. It is best known as the source of the famous quotation "Je pense, donc je suis" ("I think, therefore I am", or "I am thinking, therefore I exist"), which occurs in Part IV of the work. A similar argument without this precise wording is found in Meditations on First Philosophy (1641), and a Latin version of the same statement, "Cogito, ergo sum", is found in Principles of Philosophy (1644).

Discourse on the Method is one of the most influential works in the history of modern philosophy, and important to the development of natural sciences. In this work, Descartes tackles the problem of skepticism, which had previously been studied by other philosophers. While addressing some of his predecessors and contemporaries, Descartes modified their approach to account for a truth he found to be incontrovertible; he started his line of reasoning by doubting everything, so as to assess the world from a fresh perspective, clear of any preconceived notions.

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Autobiographical in the context of Confessions (Augustine)

Confessions (Latin: Confessiones) is an autobiographical work by Augustine of Hippo, consisting of 13 books written in Latin between AD 397 and 400. The work outlines Augustine's sinful youth and his conversion to Christianity. Modern English translations are sometimes published under the title The Confessions of Saint Augustine in order to distinguish it from other books with similar titles. Its original title was Confessions in Thirteen Books; it was composed to be read out loud, with each book being a complete unit.

Confessions is generally considered one of Augustine's most important texts. It is widely seen as the first Western autobiography ever written (Ovid had invented the genre at the start of the first century AD with his Tristia) and was an influential model for Christian writers throughout the Middle Ages. Henry Chadwick wrote that Confessions will "always rank among the great masterpieces of western literature".

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Autobiographical in the context of Amarcord

Amarcord (Italian: [amarˈkɔrd]) is a 1973 comedy-drama film directed by Federico Fellini, a semi-autobiographical tale about Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano (situated near the ancient walls of Rimini) in 1930s Fascist Italy.

The film's title is a univerbation (multiple words combined to form a single word) of the Romagnol phrase a m'arcôrd (pronounced [a marˈkoːrd]), 'I remember'. Fellini elaborated further by suggesting that the Italian words amare ('to love'), cuore ('heart'), ricordare ('to remember') and amaro ('bitter') could be expressed simultaneously through the Romagnol word. The title then became a neologism of the Italian language, with the meaning of 'nostalgic evocation', 'fond memory'.

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