Austen Henry Layard in the context of "Enûma Elish"

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⭐ Core Definition: Austen Henry Layard

Sir Austen Henry Layard GCB (/lɛərd/; 5 March 1817 – 5 July 1894) was an English Assyriologist, traveller, cuneiformist, art historian, draughtsman, collector, politician and diplomat. He was born to a mostly English family in Paris and largely raised in Italy. He is best known as the excavator of Nimrud and of Nineveh, where he uncovered a large proportion of the Assyrian palace reliefs known, and in 1851 the library of Ashurbanipal. Most of his finds are now in the British Museum. He made a large amount of money from his best-selling accounts of his excavations.

He had a political career between 1852, when he was elected as a Member of Parliament, and 1869, holding various junior ministerial positions. He was then made ambassador to Madrid, then Constantinople, living much of the time in a palazzo he bought in Venice. During this period he built up a significant collection of paintings, which due to a legal loophole he had as a diplomat, he was able to extricate from Venice and bequeath to the National Gallery (as the Layard Bequest) and other British museums.

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Austen Henry Layard in the context of Assyriology

Assyriology (from Greek Ἀσσυρίᾱ, Assyriā; and -λογία, -logia), also known as Cuneiform studies or Ancient Near East studies, is the archaeological, anthropological, historical, and linguistic study of the cultures that used cuneiform writing. The field covers Pre Dynastic Mesopotamia, Sumer, the early Sumero-Akkadian city-states, the Akkadian Empire, Ebla, the Akkadian and Imperial Aramaic speaking states of Assyria, Babylonia and the Sealand Dynasty, the migrant foreign dynasties of southern Mesopotamia, including the Gutians, Amorites, Kassites, Arameans, Suteans and Chaldeans. Assyriology can be included to cover Neolithic pre-Dynastic cultures dating to as far back as 8000 BC, to the Islamic Conquest of the 7th century AD, so the topic is significantly wider than that implied by the root "Assyria".

The large number of cuneiform clay tablets preserved by these Sumero-Akkadian and Assyro-Babylonian cultures provide an extremely large resource for the study of the period. The region's—and the world's—first cities and city-states, like Ur, are archaeologically invaluable for studying the growth of urbanization.

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Austen Henry Layard in the context of Phoenician metal bowls

Phoenician metal bowls are approximately 90 decorated bowls made in the 7th–8th centuries BCE in bronze, silver and gold (often in the form of electrum), found since the mid-19th century in the Eastern Mediterranean and Iraq. They were historically attributed to the Phoenicians, but are today considered to have been made by a broader group of Levantine peoples.

The first bowls published widely had been discovered by Austen Henry Layard in 1849 in the palace of Ashurnasirpal II at Nimrud. The discovery of these bowls began not just the known corpus of Phoenician metal bowls, but according to Nicholas Vella: "effectively gave birth to Phoenician art as a style, a definition with which historians of art still largely concur." They are foundational artefacts in the study of Phoenician art, together with the Nimrud ivories, which were discovered at the same time but identified as Phoenician a few years later. However, both the bowls and the ivories pose a significant challenge as no examples of either – or any other artefacts with equivalent features – have been found in Phoenicia or other major colonies (e.g. Carthage, Malta, Sicily). The whole corpus was studied in detail by Glenn Markoe in 1985.

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Austen Henry Layard in the context of Enūma Eliš

Enūma Eliš (Akkadian Cuneiform: 𒂊𒉡𒈠𒂊𒇺, also spelled "Enuma Elish"), meaning "When on High", is a Babylonian creation myth (named after its opening words) from the late 2nd millennium BCE and the only complete surviving account of ancient near eastern cosmology. It was recovered by English archaeologist Austen Henry Layard in 1849 (in fragmentary form) in the ruined Library of Ashurbanipal at Nineveh (Mosul, Iraq). A form of the myth was first published by English Assyriologist George Smith in 1876; active research and further excavations led to near completion of the texts and improved translation.

Enūma Eliš has about a thousand lines and is recorded in Akkadian on seven clay tablets, each holding between 115 and 170 lines of Sumero-Akkadian cuneiform script. Most of Tablet V has never been recovered, but, aside from this lacuna, the text is almost complete.

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