Audio power amplifier in the context of Digital sound

Digital audio is a representation of sound recorded in, or converted into, digital form. In digital audio, the sound wave of the audio signal is typically encoded as numerical samples in a continuous sequence. For example, in CD audio, samples are taken 44,100 times per second, each with 16-bit resolution. Digital audio is also the name for the entire technology of sound recording and reproduction using audio signals that have been encoded in digital form. Following significant advances in digital audio technology during the 1970s and 1980s, it gradually replaced analog audio technology in many areas of audio engineering, record production and telecommunications in the 1990s and 2000s.

In a digital audio system, an analog electrical signal representing the sound is converted with an analog-to-digital converter (ADC) into a digital signal, typically using pulse-code modulation (PCM). This digital signal can then be recorded, edited, modified, and copied using computers, audio playback machines, and other digital tools. For playback, a digital-to-analog converter (DAC) performs the reverse process, converting a digital signal back into an analog signal, which is then sent through an audio power amplifier and ultimately to a loudspeaker.

A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.

A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of, for example, a single microphone connected to a 100-watt amplified loudspeaker for a singer-guitarist playing in a small coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.

Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass) and pre-recorded material, such as songs on CD or a digital audio player. Individual sources are typically equalised to adjust the bass and treble response and routed to effect processors to ultimately be amplified and reproduced via a loudspeaker system. The live sound engineer listens and balances the various audio sources in a way that best suits the needs of the event.

In signal processing and electronics, the frequency response of a system is the quantitative measure of the magnitude and phase of the output as a function of input frequency. The frequency response is widely used in the design and analysis of systems, such as audio equipment and control systems, where they simplify mathematical analysis by converting governing differential equations into algebraic equations. In an audio system, it may be used to minimize audible distortion by designing components (such as microphones, amplifiers and loudspeakers) so that the overall response is as flat (uniform) as possible across the system's bandwidth. In control systems, such as a vehicle's cruise control, it may be used to assess system stability, often through the use of Bode plots. Systems with a specific frequency response can be designed using analog and digital filters.

The frequency response characterizes systems in the frequency domain, just as the impulse response characterizes systems in the time domain. In linear systems (or as an approximation to a real system neglecting second order non-linear properties), either response completely describes the system and thus there is a one-to-one correspondence: the frequency response is the Fourier transform of the impulse response. The frequency response allows simpler analysis of cascaded systems such as multistage amplifiers, as the response of the overall system can be found through multiplication of the individual stages' frequency responses (as opposed to convolution of the impulse response in the time domain). The frequency response is closely related to the transfer function in linear systems, which is the Laplace transform of the impulse response. They are equivalent when the real part ${\displaystyle \sigma }$ of the transfer function's complex variable ${\displaystyle s=\sigma +j\omega }$ is zero.

Computer speakers, or multimedia speakers, are speakers marketed for use with computers, although usually capable of other audio uses, e.g. for a shelf stereo or television. Most such speakers have an internal amplifier and consequently require a power source, which may be by a mains power supply often via an AC adapter, batteries, or a USB port. The signal input connector is often an analog 3.5 mm jack plug (usually color-coded lime green per the PC 99 standard); RCA connectors are sometimes used, and a USB port or Bluetooth antenna may supply a digital signal to an onboard DAC (some of which work only on computers with an appropriate device driver). Battery-powered wireless speakers require no cables at all. Most computers have speakers of low power and quality built in; when external speakers are connected they disable the built-in speakers by default. Altec Lansing claims to have created the computer speaker market in 1990.

Computer speakers range widely in quality and in price. Computer speakers packaged with computer systems are typically small, plastic, and have mediocre sound quality. Some computer speakers have equalization features such as bass and treble controls. More sophisticated computer speakers can have a subwoofer unit to enhance bass output. The larger subwoofer enclosure usually contains the amplifiers for the subwoofer and the left and right speakers.