Scribes in the context of "Textual criticism"

⭐ In the context of textual criticism, what was a common consequence of employing scribes primarily as copyists rather than literate individuals?

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⭐ Core Definition: Scribes

A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of automatic printing.

The work of scribes can involve copying manuscripts and other texts as well as secretarial and administrative duties such as the taking of dictation and keeping of business, judicial, and historical records for kings, nobles, temples, and cities.

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👉 Scribes in the context of Textual criticism

Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons. Additionally, interpolation, the insertion of new material into an existing text, can occur when scribes or editors added explanatory notes, corrections, or supplementary content that later became incorporated into the main text.

The objective of the textual critic's work is to provide a better understanding of the creation and historical transmission of the text and its variants. This understanding may lead to the production of a critical edition containing a scholarly curated text. If a scholar has several versions of a manuscript but no known original, then established methods of textual criticism can be used to seek to reconstruct the original text as closely as possible. The same methods can be used to reconstruct intermediate versions, or recensions, of a document's transcription history, depending on the number and quality of the text available.

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Scribes in the context of Babylonian astronomy

Babylonian astronomy was the study or recording of celestial objects during the early history of Mesopotamia. The numeral system used, sexagesimal, was based on 60, as opposed to ten in the modern decimal system. This system simplified the calculating and recording of unusually great and small numbers.

During the 8th and 7th centuries BC, Babylonian astronomers developed a new empirical approach to astronomy. They began studying and recording their belief system and philosophies dealing with an ideal nature of the universe and began employing an internal logic within their predictive planetary systems. This was an important contribution to astronomy and the philosophy of science, and some modern scholars have thus referred to this approach as a scientific revolution. This approach to astronomy was adopted and further developed in Greek and Hellenistic astrology. Classical Greek and Latin sources frequently use the term Chaldeans for the philosophers, who were considered as priest-scribes specializing in astronomical and other forms of divination. Babylonian astronomy paved the way for modern astrology and is responsible for its spread across the Graeco-Roman empire during the 2nd-century Hellenistic Period. The Babylonians used the sexagesimal system to trace the planets' transits, by dividing the 360 degree sky into 30 degrees, they assigned 12 zodiacal signs to the stars along the ecliptic.

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Scribes in the context of Lapis lazuli

Lapis lazuli (UK: /ˌlæpɪs ˈlæz(j)ʊli, ˈlæʒʊ-, -ˌli/; US: /ˈlæz(j)əli, ˈlæʒə-, -ˌliˌ læˈzli/) is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. Its name originates from the Persian word for the gem, lāžward, and serves as the root for the word for "blue" in several languages, including Spanish and Portuguese azul and English azure. Lapis lazuli is a rock composed primarily of the minerals lazurite, pyrite, diopside, and calcite. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines, in Shortugai, and in other mines in Badakhshan province in modern northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley Civilisation. Lapis was highly valued by the Indus Valley Civilisation (3300–1900 BC). Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun (1341–1323 BC).

By the end of the Middle Ages, Europe began importing lapis lazuli to grind it into powder and make ultramarine pigment. Ultramarine was used by some of the most important artists of the Renaissance and Baroque, including Masaccio, Perugino, Titian and Vermeer; it was often reserved for the clothing of the central figures of their paintings, especially the Virgin Mary. Ultramarine has also been found in dental tartar of medieval nuns and scribes, perhaps as a result of licking their painting brushes while producing medieval texts and manuscripts.

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Scribes in the context of Scriptorium

A scriptorium (/skrɪpˈtɔːriəm/ ) was a writing room in medieval European monasteries for the copying and illuminating of manuscripts by scribes.

The term has perhaps been over-used—only some monasteries had special rooms set aside for scribes. Often they worked in the monastery library or in their own rooms. Most medieval images of scribing show single figures in well-appointed studies, although these are generally author portraits of well-known authors or translators. Increasingly, lay scribes and illuminators from outside the monastery also assisted the clerical scribes. By the later Middle Ages secular manuscript workshops were common, and many monasteries bought more books than they produced themselves.

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Scribes in the context of Mark 3

Mark 3 is the third chapter of the Gospel of Mark in the New Testament of the Christian Bible. It relates a conflict over healing on the Sabbath, the commissioning of the Twelve Apostles, a conflict with the Jerusalem scribes and a meeting of Jesus with his own family.

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Scribes in the context of Eduba

An eduba (Sumerian: 𒂍𒁾𒁀𒀀, romanized: e2-dub-ba-a, lit.'house where tablets are passed out') is a scribal school for the Sumerian language. The eduba was the institution that trained and educated young scribes in ancient Mesopotamia during the late third or early second millennium BCE. Most of the information known about edubas comes from cuneiform texts dating to the Old Babylonian period (ca. 2000-1600 BCE).

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Scribes in the context of Amorite language

Amorite is an extinct early Semitic language, formerly spoken during the Bronze Age by the Amorite tribes prominent in ancient Near Eastern history. It is known from Ugaritic, which is classed by some as its westernmost dialect, and from non-Akkadian proper names recorded by Akkadian scribes during periods of Amorite rule in Babylonia (the end of the 3rd and the beginning of the 2nd millennium BC), notably from Mari and to a lesser extent Alalakh, Tell Harmal and Khafajah. Occasionally, such names are also found in early Egyptian texts; and one place name, "Sənīr" (שְׂנִיר) for Mount Hermon, is known from the Bible (Book of Deuteronomy, Deuteronomy 3:9).

Amorite is considered an archaic Northwest Semitic language.

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